Archive for badfinger


Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 25, 2015 by TheManicBlogger

Well, it seems that everyone likes a great cover tune. So do we. And so, we compiled a short list of cover tunes that we think are better than the originals. There are more, but these are some of our favorites.



A way cool psychedelic rock version of the Burt Bacharach song, previously covered by The Shirelles & The Beatles. The organ is wonderful, and Gayle McCormick‘s vocals are insanely good.




Harry Nilsson‘s 1971 version of the Pete Ham/Tom Evans song which originally appeared on Badfinger‘s 1970 album, ‘No Dice‘. No one does this like Nilsson!





A progressive rock version of Sinon & Garfunkel‘s ‘America’. Released on Yes‘ 1975 ‘Yesterdays‘, and a 1972 Atlantic Records Sampler, ‘New Age Of Atlantic‘. The guitar is dynamite. Incredibly Yes.




Sonny Curtis‘ 1959 Crickets release ‘I Fought The Law‘, immortalized in 1966 by The Bobby Fuller Four, and Punked up by The Clash on their 1979 release ‘The Cost Of Living‘. Wonderfully addictive!





The best version of Leonard Cohen‘s ‘Hallelujah‘, and Jeff Buckley well, being Jeff Buckley. Magical!




One of our favorite Bob Segarini tracks, is this cover of Slade‘s 1974 ‘When The Lights Are Out‘, which appears on Segarini’s 1978 ‘Gotta Have Pop‘. The album title says it all…
















Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 20, 2013 by TheManicBlogger

I haven’t been to a large venue concert in a long time. I refuse to pay several hundreds of dollars for a ticket and honestly, there is really no one that I want to see. It did however, start me thinking about the first concert I went to. Truth be told, I just can’t remember. I don’t know if it is the years of illicit substance use or age induced memory failure. Or a little of both.  Sadly, I just can’t remember!

BDGRSMBAnd so, writing about my first concert is clearly an impossible task. What about my most memorable concert? Well, there was Badfinger at the old O’Keefe Centre, Spirit at the old Victory Burlesque Theatre, Tommy James, The Band, The Grateful Dead, Clapton, Jethro Tull, Harrison, and a litany of others to choose from. What would make a concert the most memorable? Well, for starters, remembering it! And so the dilemma began. I remember generalities, but no details. I remember going to see Steve Miller. I remember it was just after the release of the Book Of Dreams album. I remember Norton Buffalo was the opening act, it was at Maple Leaf Gardens and that I ate a gram of gold Lebanese  about 30 minutes before show time. Well, now i know why i can’t remember anything else!

yesAnd so, the highlight reel in my head began playing, reviewing every concert I could remember attending. I saw Yes on at least 2 occasions.  The 1st tine was following the release of Close To The Edge. I remember almost nothing. The other was the Tales From Topographic Oceans tour. I remember sitting 4th row, floors at Maple Leaf gardens. Pretty sure we were on opium. I remember bright lights, dry ice, and Jon Anderson emerging from darkness about halfway through the introduction of the “The Revealing Science Of God“.

genesisI saw Genesis, not the And Then There Were Three version, but the real Genesis, with Peter Gabriel. You know, “The Lamb Lies Down On Broadway“, genesis. I saw Queen, right after the release of Sheer Heart Attack and remember nothing.

It was suggested that I write about the 1st concert I remember. I couldn’t tell you what that was. Another suggestion was t write about the last concert I attended. Not surprising, I can’t remember hat either. Had I known this would happen, I would have attended concerts in alphabetical order, beginning with AC/DC and ending with ZZ Top. The only certainty in my concert going days, is that I never saw The Beatles. Now, that I surely would have remembered.

THE TONIKS-Rise And Shine

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 26, 2013 by TheManicBlogger

It was May 2013, that I first “reviewedThe Toniks. I had stumbled upon this UK band  while traversing the assorted music sites that I regularly search, looking for new music. At the time, they were working on completing their debut album and touring Europe and Canada. I did not get to see them on the Canadian leg of their tour, but I have been following them very closely after making contact with drummer, Colin Marshall.

toniks2And then, two days ago, thanks to Colin, I received my advance copy of the completed album, Rise And Shine. Produced by Graham Dominy and released on the Indie label Smile Records, the album contains ten tracks, six of which I had not heard before.

The title track has been re-mixed. With an almost acapella introduction and the addition of horns and strings, the song has taken on additional layers of pop poetry. The great trademark harmonies, wonderful hook and flawless drumming, had me wondering where the Go Go dancers were. “Won’t Let You Down” , brings subtle keyboards and a great use of harmonics. The catchy melody, augmented by hand clapping,  make this one of the better tunes on the album. The slower tempo of “Figure It Out” maintains an almost ethereal atmosphere when the strings and harmonies are added. The arrangements are wonderfully done as the eternal question “how am I supposed to make you happy, now” is asked. “Weather“, an upbeat number, pokes fun at interpersonal relationships while demonstrating the vocal range of vocalist/bassist, Mark Taylor. A light guitar solo and amazing horns are impeccably placed within the dynamic melody. “Simple Things“, shines with its stand out harmonies and production techniques that appear at unsuspecting moments throughout the tune.  “Never Real“, more of a power pop song, has a grunge feeling but maintains its pop harmonies amid a subtle keyboard influence. The screaming guitar riffs of “Secret’s Safe” create a punk rock song out of a pop melody. toniks3The great drum shots and driving guitars of Jez Parish and Tom Yates give this song the sense of urgency the lyric conveys. “There You Go“, another venture into power pop, uses heavy guitar riffs to drive the melody and counter balance the harmonies.  The 80’s feel of “Scapegoat” allows the band to play with production techniques. With great guitar riffs and a powerful bass line this tune is the darkest song on the album. My favorite track, “Wonderful Then” brings the band back to it classic pop sound. Jessica English‘s subtle keyboards drift throughout the great melody and trademark harmonies. The vocals are standout and the orchestral arrangements are magnificent. The song is a blast. Sort of Squeeze’s Pulling Mussells meets Badfinger’s No Matter What.

Toniks1Rise And Shine is Pop perfection. Not a bad track on the album. It will make you dance. It will make you sing. Best of all, it will make you happy. The song writing is exquisite, with simple lyrics about life and love and human interactions that take one to a more innocent and simple place.  These guys are amazingly talented. The music is insanely great The album is a wonderful time. Slated for a September release, Rise And Shine will be available on itunes and the band’s website.

The Toniks will be in Canada next on September 5, 2013 when they play The Shores of Erie International Wine Festival with The Walkervilles and The Sheepdogs in Amherstburg, On.

To listen to The Toniks, click on the link :


Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 10, 2013 by TheManicBlogger

My venture into popular music began with an uncle, 10 years my senior, who was entrenched in the girl groups of the early 1960s. The first songs I remember listening to were the delightfully unsophisticated  “My Boyfriend’s Back” by The Angels, ” He’s A Rebel” by The Crystals and The Chiffons’He’s So Fine“.   I spent numerous hours ingesting  the harmonies and the melody lines of these and other pop classics.

The Ronettes

The Ronettes

And just when I thought I had heard all there was to hear, I discovered The Ronettes. They were amazing. Insanely different. Veronica Bennett, her sister Estelle and her cousin Nedra Talley created a sound so different than anything I had heard before. It was Ronnie’s (Veronica) voice that drew me in. It was Phil Spector‘s production and the now infamous Wall Of Sound that kept me there. ‘Baby I Love You” and “Be My Baby”  kept me listening over and over again. I got my own 45 of “Be My Baby”. I played it and played it. I drummed along with it on pots and pans. I knew every nuance of the song. musically and vocally. I adored Ronnie’s voice and her vocal inflections. I  still do. The power of her voice  blows me away. And so began my epic adventure with rock and roll.

I heard The Beatles many times on the radio before I saw them on The Ed Sullivan Show. It was then that I knew I wanted to be, no, needed to be a musician. I wanted to make music. I wanted to be a Beatle.  A plot was hatched to dispose of Ringo. Why not? I was quite proficient on the pots and pans, and how much different could the drums be? I wanted to be a drummer. I asked for drums for my birthday, and I got a guitar. What the hell. I learned to play and began writing songs.

I dove in to the British Invasion, headfirst. I spent years harboring vinyl from across the ocean. Listening to The Dave Clark 5, The Hollies, whose harmonies were some of the most complex I had heard, and The Kinks, who wrote incredible pop songs and played them like a rock band,  allowed me to intercept the North American bands who were now emulating the British sound. And so, Tommy James and The Shondells, The Grass Roots,  and The Lovin’ Spoonful were added to my ever growing list of must have vinyl. The Beach Boys were added when I heard Pet Sounds. “God Only Knows” is a remarkable song . The harmonies are deep and full. Changes in tempo and time signature reflect Brian Wilson‘s genius. I was set. I was in pop paradise. In 1966-67, as The Beatles experimented with psychedelica, I did as well,  finding  gems in  Blues Image, Spirit, and a host of other insanely talented bands.

The Pretenders

The Pretenders

On my 13th birthday, I received my own drum kit. I had fallen ass backwards into Progressive Rock and was living and breathing Yes; amazing musicians, with the ability to incorporate so many different melodies, time signatures and themes into one perfectly crafted work. Yes led me to King Crimson, Flash and inevitably to Pink Floyd, who made the complex seem simple and the simple sound complete. . How cool was that?  I started a band, but I just couldn’t shake my passion for pop. My fondness for Pagliaro, 5 Man Electrical Band, and Badfinger, created the sound and direction of my musical psyche. New Wave delivered Nick Lowe, Elvis Costello, and The Pretenders. One of my all time favorite bands,The Pretenders were pure pop. Unforgettable melody lines, great hooks, amazingly simple yet catchy riffs permeated each song. And Chrissy Hynde looked so cool holding a guitar.

Gotta Have Pop

Gotta Have Pop

To satisfy my passion, I have always looked for new artists playing pop. Over the years I have found The Pursuit Of Happiness, The Bob Segarini Band, and Sloan. Segarini is pop genius. His ability to hear the music long before it is ever played sets him out as one of the truly great pop song writers. Once referred to as the Canadian Nick Lowe, Segarini’s Gotta Have Pop  is a classic . I have, more recently found some amazing talent out there in bands named The Creekside Strays, The Micronite Filters, The Research Turtles,  Toxic Melons and The Toniks. There are so many more that I have yet to discover. I can hardly wait! Recently a friend of mine who travels The Oregon Trail looking for new music introduced me to No Small Children. I have just started my auditory stalking of this band so any verdict at this time would be premature. He rarely steers me wrong. I will go on record as saying that they have something, and I suspect it is highly contagious as I can’t seem to stop listening. My fondness for all music lies in  melodies and harmonies. It began with the girl vocal groups and is as strong today as it ever was.