Archive for bassist

PETER MURRAY-On Druckfarben, And More

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 14, 2014 by TheManicBlogger

pm4I set out to do an interview on the progressive-rock band, Druckfarben. As I sat down with Peter Murray, bassist, I instead found myself immersed in his story. Not a bad afternoon at all.

We began by comparing notes about progressive-rock bands, from Yes, King Crimson, and Flash, to Rush and Kansas. We taked about Gentle Giant. We talked about music. We discussed the lack of airplay progressive-rock received in the 1980s and 1990s and how it could be considered underground. We talked.

Peter is an easy interview. Ask a question and he will talk. He has stories to tell. Stories from his days with Surrender Dorothy and the major label deal; stories of his singer/songwriter solo album; stories of his pm3learning the bass line to Yes’ Close To The Edge, for the first Druckfarben gig . He is animated, and energetic. He has strong opinions on music, and the music industry. He is a musician, but foremost, he is a music fan. His interests cross all genres. If it is good, Peter appreciates and enjoys it.

We discussed The Beatles influence on progressive-rock, and queried whether Sgt. Pepper could have been the 1st progressive-rock album. As Peter sees it, progressive-rock is not so much a genre of music, pm5but an attitude. An attitude that encourages experimentation. An attitude to do something that is not usually done. An attitude that impacts not only the song writing, but the instrumentation and arrangements as well.

We delved into bass players, and I asked about his favorite. In true Peter Murray style, he couldn’t or wouldn’t identify one. Instead, names started swirling around the table: Chris Squire, Geddy Lee, Mark King, Robbie Shakespeare, Stanley Clarke, to name a few. Paul McCartney came up, and it was agreed that he is perhaps the most under rated bassist around. It was here that I saw the true passion for music in this man. He told a story of how, as a writer for Bass Player magazine, he traveled to England to interview Colin Moulding and Mark King. With his face ‘lit up’, he spoke of spending an afternoon at Moulding’s farm house, drinking tea, and listening to the as yet unreleased ‘Apple Venus’.  Very cool.

pm6We talked about Druckfarben, which grew out of  Classic Album’s Live. All of the band members have a love for progressive-rock. They enjoy playing and performing. Peter looks like a man who is having the time of his life. Bassist, song writer, teacher, author,  producer. This is an accomplished man, a Renaissance man, who shows no signs of slowing down.  Despite his impressive resume, there was no name dropping. An incredibly talented guy, who is kind, humble, and grateful.  Peter Murray is simply, a nice guy. A nice guy who just loves music. Hard not to like him.

 

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WATERSHED HOUR: Bang With The Van Gogh

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 26, 2013 by TheManicBlogger

wh2Watershed Hour is an incredibly unique band. I recently listened to their 2013 EP, Bang with The Van Gogh, and found that 4 of the 6 tracks used bass, drums, and vocals exclusively! This duo, hailing from Whitby, On , have discovered a sound that really requires nothing more than bass and drums.

The first track, “That’s My Bass Solo?!“, has great opening effects, thundering drums,and an incredible bass line, and I love the vocal. “Knock, Knock. Who’s There? Doctor. Doctor Who?“, brings a powerful rhythm section accompanied by great guitar riffs as an added bonus. The definitive bass line of “Morgan Freeman“. The 60’s fuzz bass sound of “Can’t Be Bothered To Come Up With A Title“, The insanely wonderful vocals of “I Married A Narcissist. Myself“. My favorite track, “Pre-Verse“, includes Laura Klinduch‘s killer drums, some cool effects, and solid guitar riffs, played by singer and bassist Natalie Stardust.

whThis is garage rock. Alternative-punk with a twist. There are elements of metal. It is the kick in your face music that reeks of anti-establishment and social angst. It is powerful. It is honest.  It is simplistically wonderful. It is fun.There were times, when listening to the album, that I didn’t notice the absence of guitar. When I heard those riffs, they were well placed and added texture to the music. These girls have talent and they have a plan: To make music the way they want to make it. I give them a great deal of credit for stepping out of the herd and choosing a different path. The EP delivers a unique sound, from a somewhat off centre band who know exactly what they are doing. No guitars? Not a problem, Just Bang With The Van Gogh. Definitely worth a listen.

Listen to Watershed Hour here: http://watershedhour.bandcamp.com/

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RTDS

Radio That Doesn’t Suck. All The Time.