Archive for country

Bruce Tunkel

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 22, 2017 by TheManicBlogger

 

I started off with the intention of writing a review of Bruce Tunkel‘s latest release. Another New Jersey musician, I thought. I was sent several cds, and after listening to them, over and over again, I have discovered that Bruce Tunkel is not just another New Jersey musician.

The most recent release, 2017’s ‘Bittersweet‘, is a poignant look into the artist, filled with songs that deal with emotional upheaval, love, hope, and depression. There are wonderful melodies, accompanied by beautiful piano and powerfully soulful vocal tracks. The simplicity of using only piano and vocals, adds to the mood of the album, and touches the listener. The songs are well written, and to be honest, I really didn’t miss any additional instrumentation. The exception, “So Many Ways“, uses acoustic guitar and mandolin to exact the same emotions I felt in the other tracks. A brilliant release, one which you should get your hands on. You can check it out here.

We’ll Make It Up As We Go‘, a double cd released in 2015, is insanely good. A very different sound than that on ‘Bittersweet’, this album is filled with melodic Jersey rock songs, with influences as diverse as power-pop, country and blues infused throughout. I heard very cool guitar, organ, strings, and powerful vocals. The arrangements are dynamite, and I was unable to find a track I didn’t like. At times there is a familiarity to the album, and I can hear bits of Bon Jovi drifting in, only to become part of something bigger in the track. Wonderfully done. I only wish I had been aware of this album in 2015. Favorite tracks: ‘Losing Kind‘, ‘Drive Me Sane‘, ‘Dream Big‘,  and ‘Birthday Girl‘.Check it out here.

There was project I was able to listen to, the 2017 release of The Susan Rumors debut album. A pop-rock-blues album that would be a dynamite addition to any collection. You can check out The Susan Rumors here: https://thesusanrumors.bandcamp.com/.

After my weekend spinning Bruce Tunkel cds, I have realized just what a talented artist he is. Multi-instrumentalist, vocalist, producer, songwriter, and arranger, able to pull several genres and fuse them into one cohesive album. Wonderful stuff.

Jenny & The Felines-‘Don’t Judge Me’

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , on May 19, 2017 by TheManicBlogger

 

As a follow up to their 2013 album ‘Don’t Look Back‘, New Jersey’s Jenny & The Felines released the 9 track ‘Don’t Judge Me’ in March, 2017. 4 years in the making, and well worth the wait. Backed by a new clowder of cats, the disc is filled with catchy pop melodies, and is significantly more guitar focused. The songs are wonderfully written, encompassing influences from early 1960’s rock, country-blues, power pop, and rockabilly. There are memorable hooks, sweet harmonies, great changes, and way cool riffs.  The lyrics are brilliantly written, with no subject off limits, and I heard some incredible, yet subtle effects. Dynamite cat-pop! Get yourself invited to this feline fiesta, and pick up a copy. Favorite tracks: ‘Mrs. Pratt‘; ‘Jail Bird Johnny‘.

Check it out here:

 

JAPANESE TONGUE SISTERS-Peacock

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , on October 23, 2015 by TheManicBlogger

jts33Japanese Tongue Sisters, based in Melbourne, Australia,released ‘Peacock‘, a 5 track ep in September 2015. The songs are wonderfully written, filled with amazing changes, great melodies, and wonderfully touching lyrics.

All I Can Regret‘ is excitingly acoustic, with a dynamite string sound, and terrific vocals. The keys on ‘Lose My Head‘ are wonderful, while ‘Perfect Stain‘ delivers a way cool 1980’s electro-pop vibe. ‘Heartbreak Tango‘ has some amazing piano, and I dig the echo. My favorite track, ‘Ma’s New House‘, offers a sweet acoustic track under what sounds like slide guitar, some wonderful harmonies, and a cool country feel.

The album has an ethereal feel, yet delivers a full sound. There are tasteful effects blended into an eclectic ‘Roo Pop‘ sound. A wonderful album with so much going on, it will require several listens to catch it all. Check it out for yourself, and then buy a few copies-share it with your family and friends. Christmas is coming, right?

 

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2014 INDIE ALBUM OF THE YEAR

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 15, 2014 by TheManicBlogger

With a significant number of quality Indie releases this year, narrowing a list down to 10 albums, worthy of I Can’t Believe My Earz‘  2014 Indie Album Of The Year, was no easy task. There are some honorable mentions: Neverfriend-‘Evolve‘, The Everywheres-‘Habitualism‘, Harbour-‘Grade School Summer‘ & Social Strife-‘With Friends Like These…’.  We listened to them all, and here is our pick for the top 10 Indie Albums of 2014.

 

#10     DRUCKFARBEN————–‘Second Sound’

druck I am not certain why Druckfarben has been a mystery. These Toronto based musicians are insanely talented. It is an impressive work.   ‘Second Sound offers wonderful musical themes in an array of movements that are woven together in layers to create an incredible musical journey. This is way cool arena rock, out of the 1970s, with a 21st century bite. If you like Progressive-Rock, Druckfarben is the real deal.

 

 

#9     THE RED RAILS———-A Living Fiction

theredrailsno2The Red Rails offer ‘A Living Fiction‘, a classic rock sound immersed in blues.  The Ottawa band has a sound that reminds me of Cream meets The Black Crowes. With a 21st century edge. I like it! This is not background music. This is an album you play in its entirety. In your car. While taking a 40 minute drive down a highway. Make sure it is a highway. You cannot drive slow while listening.

 

 

 

#8     THE SATISFACTORS——–‘The Satisfactors’

the satisThe Satisfactors self titled debut album. It rocks from beginning to end with a wonderful garage groove. The songs are amazing. They are wonderfully crafted, and played with a beat that just doesn’t stop. Bruce’s vocals are great. Cool to hear from  Jersey’s Fantastic 4! The bass lines, and  guitar riffs are insanely good, and I like the less is more approach to the drumming.  This is rock ‘n’ roll the way it is meant to be played! This is Rock Til You Drop! This is The Satisfactors!

 

 

#7     SOUTH OF BLOOR——‘The Street’

south of bloorThis Toronto band has re-generated my lust for pop with the release of ‘The Street‘. The songs are exquisite 2-3 minute masterpieces. Their ability to write wonderful bridges and changes has me almost awe struck. The vocals are spectacular. The melodies, wonderful. This album delivers 5 terrific pop songs with alternative rock influences. And it works. A wonderful album. A fun time.

 

 

 

#6     TOXIC MELONS———‘Bus Therapy’

tm ‘Bus Therapy‘ is my kind of therapy. This album by Northern England’s Toxic Melons is inspiring, soul touching, and mind altering. The album plays like a journey through a toxic mind, but that’s ok. The songs are pop heaven, with shades of folk, blues, electronic, and some western influences. This Paul Fairbairn can write songs. The melodies are out of this world, and the harmonies, well, remind me of The Beach Boys. The music is wonderfully eccentric.The album is insanely addictive. It has me singing along and I haven’t figured out all of the lyrics yet!  An amazing compilation of great songs that has been placed on my must have list. Very cool.

 

 

#5     THE MINNOWS———‘Live At The Belfast Barge’

the minnowsAside from Yessongs, Waiting For Columbus and The Last Waltz, I have never been a big fan of live albums, but I have to add this Irish band’s ‘Live At The Belfast Barge to the list of great live albums. The songs are as wonderful as I remember them, and they stand up to the passage of time. The band is insanely cohesive, and the musicianship, extraordinary. I have spent the better part of the year immersed in The Minnows and I can tell you that swimming with the fishes is not a bad thing. This is a must for your collection.

 

 

#4     THE CORSETS———–‘Are You Lonely, Are You Scared’

the corsets

Are You Lonely, Are You Scared is a wonderful adventure. Toronto’s The Corsets manage to harness their individual talents into a harmonic whole that is indeed the sum of its parts. Each is easily identifiable, yet needs the other parts to be heard. The energy level is wonderfully exciting, and the songs well, incredibly creative. Add this to your collection. It is that good.

 

 

 

#3     XPRIME——–‘The Album’

xprimeXprime should be big. Hailing from Niagara Falls, Ontario, they write incredibly melodic songs with amazing harmonies and unforgettable hooks. These are talented musicians who seem to be having fun with every note played. ‘The Album‘ is a must have album. Give it 4 or 5 listens. At least. Pay particular attention to “To See You Here“, a 70′s pop-folk tune that reminds me of Poco, “Feels Like I’m The Only One“, a way cool song with R & B overtones, and “Early To The Sun“.

 

 

#2     THE AFTER HOURS——-‘Shaken, Not Stirred’

the after hoursI really like Los Angeles’ The After Hours. I am a fan! They cite among their many influences The Beatles, The Beach Boys, The Kinks, The Byrds, The Zombies, The Hollies and The Turtles. Is it any wonder their music has wonderful 1960′s melodies, harmonies and riffs?  The vocals and the guitar work stand out. ‘Shaken, Not Stirred captures the essence of 60′s music. The songs are wonderfully written, and demonstrate a remarkable ability to integrate all of their influences into one cohesive and coherent sound. This is a must have album.

 

And, finally, the I Can’t Believe My Earz Indie Album Of The Year for 2014…

 

#1     THE HOT SPROCKETS——‘Brother Nature’

hsBrother Nature‘ by Ireland’s The Hot Sprockets. 13 tracks, and not a bad one to be found. I have listened to this album over and over, and it just keeps getting better. The songs are insanely good. The production, wonderful. These guys can write. These guys can play. The album has a ‘live off the floor’ feel to it. I haven’t heard this much energy in an album in a long time. The Hot Sprockets refer to their music as ‘country dirt”. I prefer to call it Irish Soul! Brother Nature is one of the most powerful albums I have heard in 2014, filled with the unusual, and the unexpected.

 

And there you have it. 10 exceptional albums. The I Can’t Believe My Earz picks for 2014. Give them a listen. Purchase them. Support Indie Music, and Indie bands.

 

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THE HOT SPROCKETS-Brother Nature

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 29, 2014 by TheManicBlogger

hs6I have been following The Hot Sprockets since their 2011 release of ‘Honey Skippin. I was fortunate enough to catch this Dublin, Ireland band at Canada Indie Week, part of a North American Tour to promote the June, 2014 release of their latest album, ‘Brother Nature‘.

The album opens with “Quarter Roam“, with its powerful vocals, great changes, and choral harmonies. The combination of acoustic and electric guitars is wonderfully melodic, and I think I heard some slide guitar in this track. The melody rocks, the effects are cool, and I dig the drumming. The early rock and roll influences on “Boogie Woogie“, are almost Rockabilly. This song delivers a high energy tempo, with dynamite and unexpected changes, some dynamite harmonica, and a great vocal track. “Shake Me Off” brings great harmonies, cool changes, and wonderful hs3instrumentation. The country-blues sound of “Comin’ On‘ offers some sweet guitar picking, a dynamite bass line, and a great melody. A wonderfully lively track. “Lay Me Down“, a beautifully sweet song, with acoustic guitar, nice harmonies, wonderful vocals, and, as an added bonus, some way cool banjo. The western style of “El Torro“, an instrumental, comes across like a cowboy tune, a great song to listen to on a cattle drive! It brings wonderful guitar, and great harmonica. The powerfully “Show Me The Weight” gives up dynamite guitar and great harmonies.  “Women & Chile”  delivers some R & B vibes, incorporating great guitar effects, wonderful drumming, a cool melody, and perfectly placed harmonica. One great track! The melody of “Someday” joins the acoustic guitar picking to create a simply serene track. “Soul Brother” just plain rocks. A wonderful tempo brings this blues-rock track to life. There are great guitar riffs and a way cool solo, wonderful harmonies, dynamite changes and insanely good vocal effects. The bluesy, acid hs2rock sentiment of “Heavy On My Mind“,  reminds me of Steppenwolf. With a cool guitar riff that drives the great melody, and incredible drumming, what else could I ask for? Well, The Hot Sprockets thought that flute would be a good idea. They were right. Amazing! The incredibly wonderful “Homeslice” offers a great melody, coupled with sweet harmonies, over what sounds like strings and a mandolin. My favorite track on the album, “The Worried Kind“, brings a great melody delivered by a wicked vocal track. The changes and harmonies are wonderful, and I hear strings! The song has a John Lennon thing going on, both in melody and vocals, and I like it. A beautifully written and performed song!

 

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Well, there you have it. Brother Nature. 13 tracks, and not a bad one to be found. I have listened to this album for the 4th time, and it just keeps getting better. The songs are insanely good. The production, wonderful. These guys can write. These guys can play. The album has a ‘live off the floor’ feel to it. I haven’t heard this much energy in an album in a long time. The Hot Sprockets refer to their music as ‘country dirt”. I prefer to call it Irish Soul! Brother Nature is one of the most powerful albums I have heard in 2014, filled with the unusual, and the unexpected.  A definite must have for your collection, and a definite contender for I Can’t Believe My Earz’  Album Of The Year. Don’t just take my word for it, listen here: http://thehotsprockets.bandcamp.com/album/brother-nature

 

 

 

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THEY’RE NOT CANADIAN, ARE THEY?

Posted in Uncategorized with tags , , , , , , , , , , , , , , , on June 29, 2014 by TheManicBlogger

Frank Gutch Jr. continues to entertain and educate, in a way that only he can. This time he writes about Petunia & The Vipers. Don’t ask. Read the review.

 

P&VWell, he evidently is, he being a guy named Petunia (a name, I believe, last attributed to a pig) and whose band, Petunia & The Vipers, are ready for the onslaught.  That onslaught, gathering steam for the past few years, is going to vault the band not only onto many stages but into many music fans’ consciousness not only because they can play but because of what they play. And what is that?  I’ve been trying to figure that out.

It is country.  Some of it.  It is jazz.  Some of it.  It is gypsy.  Kind of.  It is twenties, thirties, and forties.  Here and there.  It is even rock, as if the majority of rock bands can be as creative.  In the end, it is entertaining as hell and music seemingly made for video.

 

 

What say you to that, music fans?  Most of you are too young to have caught the boogie woogie and rag days of bands like Pee Wee King and Jimmy Bryant & Speedy West and a plethora of others.  Hear that beat reminiscent of Bill Haley & The Comets?  Would it surprise you to find that Haley was, before that, Country & Western?  He had a couple of bands, fronting both The Four Aces of Western Swing and Bill Haley & The Drifters (under which name he recorded two 45s), and even gained a reputation as a yodeler, wearing the soubriquet “Silver Yodeling Bill Haley” for a time.  Ol’ Petunia has more Haley in him than most folks realize.  See, before they rocked, they boogied.

 

 

Petunia, it seems, is following old paths taken by such Canadian greats as Hank Snow and Montana Slim, spreading the joy through the music.  While radio P&V!does not have the power it once had nor Nashville the mystique, the live shows could well put him/them over the top.  The tracks on the latest album, Inside of You, grabs the music and runs with it,  certain tracks such as They Almost Had Me Believing and Runaway Freight Train Heart making it hard to believe that they have not been buried in the archives some 60 or 70 years before miraculously reappearing.  This is roots music, sports fans, done better than you have heard it done before.

If you get a chance, catch these guys live.  People tell me they blow the roofs off on an off-night (though the jury is still out regarding whether they ever have off-nights).  Imagine what they could do when the cylinders are clicking.

 

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Frank Gutch, Jr. is an international man of mystery, searching high and low for Indie music most of us would otherwise never hear. Check out more of Frank’s writing at rockandreprise

 

 

 

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YOU’VE COME A LONG WAY, BABY…WOMEN IN MUSIC, PART 2

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Another insanely informative and entertaining article by Frank Gutch, Jr. This time its all about women in Indie Music.

 

Time for the followup to the first post regarding women in music (click here) and, boy, have they ever!  Come along way, I mean.  You can forget about barefoot, pregnant and in the kitchen (yep, there were idiots in the old days too) and inequality in the workplace, at least if the workplace has anything to do with music.  Ladies have shrugged off the shroud the old boys club laid over them and are giving them the old what-for (and they damn well deserve it).  Those days when the few women who picked up instruments were allowed only so much respect are now kicking the guys to the curbside.  Consider it the equivalent to kicking sand in the wimpy guy’s face.

I grew up to respect women, to look upon them as individuals (which wasn’t easy, considering the large amounts of hormones which were kicking my ass in  my earlier years) and to consider them equals.  Given the chance, I thought, they will overcome, and, man, have they!  You want proof?  I’ll give you proof!  Starting with…..

No Small Children—  Whew!  I have waited for a band like this for decades— a three-man (er, wo-man) band with punch and grit and chutzpah to show their wiles.  I back-doored into the band, having found them through their guitarist who used to record under (and still retains the name of) Lisa Parade.  Two albums and I was in love.  Lisa has everything it takes to make music fun and, more importantly, make music music!  She is joined on this project by sister, bassist and major voice Joanie Pimentel and the percussive poundmaster her own self, Nicola B.  Thus far, they have recorded a number of tunes, all available for perusal on their bandcamp pages (click here and be sure to check out all the tracks available by clicking on the icons on the right), and have a new album almost ready for delivery.  But why wait?  Here is a video which says everything I cannot.  I love these girls!!!

 

 

Dala—  Surely you have heard of Dala by now, but just in case you haven’t, let me tell you a bit about them.  They’re Canadian, are working their asses off touring wherever people will hear them and are doing on their own what the music industry would not do for them.  I found them quite by accident, having checked in with CDBaby at just the right moment, and watched them wow the crowds at the The Newport Folk Festival a handful of years ago before barnstorming North America and the UK, building a solid following.  Their voices are beautiful and sometimes downright haunting, their music is sweet and ethereal and they have the attitude which many women musicians have these days— do or die.  Here is a song from their latest album, Best Day.

 

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Arborea—  Okay, it’s only half-woman, but Shanti Curran is so good she makes up for the non-half.  This duo have been shopping their musical wares for some time now and are finally beginning to break through the white noise.  When trying to describe what they do, I stumble over words and phrases like “renaissance” and “medieval folk” and “trad folk”, but none really fits the bill.  They are, in a way, futuristic with a serious look backward.  Whatever it is, it is beautiful stuff.  Maybe this will help.

 

Good buddy Brian Cullman is always drawing names out of a hat (at least, it seems like it) and his latest is a lady named Mary Fahl who, for some odd reason, always posts herself as Mary Fahl (former lead singer of October Project).  I had not heard of October Project until I started following Brian’s leads but am well aware of them now.  Mary has had a run with major labels and is now attempting to work the field her own self (though she must have label connections somewhere) and I give her a big thumbs up for attitude and energy.  She works the social networks like a trooper and responds to almost any positive comment passed on to her and that alone takes an enormous amount of time.  Talent-wise, she has a voice and uses it well and writes as well as she sings.  To give you an idea, here is a video she posted a few months ago which catches her in an Enya-style mood.  Very impressive.  No, Celtic is not all she does.  In fact, she is all over the map, but it is a delightful map.  Here she is singing a song from her latest album, Love & Gravity.  You can thank me after listening.  In the meantime, I will be thanking Brian, who is also working on an album.  Or so he says.

With the Midwest and East coast in deep freeze, the warmth has to come from somewhere, so why not from Nashville’s own Kink Ador, whose run at the brass ring the past few years has been a rollercoaster ride.  In spite of personnel changes and deep probes by aliens, they have put out consistently impressive recordings.  My first exposure to them came by way of friend Joe Lee, who performed on the same stage (not at the same time) a few years ago and was impressed enough to send me a link to this video, saying that they were, indeed, the real deal.

After watching that vid, I joined the Kink Ador Fan Club and even got my secret decoder ring.  Four years later, here they are with a summer anthem of another color.  Wrap those blankets around you, you East Coasters, and think warm.  Good stuff.

Ollabelle‘s Glenn Patscha (certainly not a woman) has recently teamed up with two ladies to form a band they call The Big BrightFiona McBain is another leg of the tripod and Liz Tormes rounds out the trio.  Beautiful voices and great arrangements are what they are all about.  They do what they call “new wave nocturnes,” rearranged songs by the so-called new wave of bands from the eighties.  The album, in fact, is titled I Slept Through the 80s and is notable for the arrangements as well as the choice of songs.  Here they are doing a live version of Yazoo‘s Only You.

 

 

You’ve probably heard of Meg Hutchinson if not actually heard her.  Time for you to hear her if you haven’t, methinks.  She started out as far as I am concerned a folkie of worth but has recently (since signing with powerhouse indie Red House Records) blossomed into a strong, confident and well-rounded musician.  Her last album, The Living Side, was her best at the time of release (2010), but 2013’s Beyond That is a step into another dimension, the songs deeper, more emotional, more mature.  This is a search for self through music.  A solid A.

 

 

Allow me to continue singing the praises of Maxine Dunn, who records under the name Maxi Dunn.  This lady is quite unlike any other performer I’ve heard the past few years, living somewhere in the realm which produced so many female singers of the past— Petula Clark, Sandie Shaw, Cilla Black.  Her real strength besides her songs, which are sometimes off-the-charts good, are her arrangements, vocally and instrumentally.  Part of the credit for that can go to fellow musician Peter Hackett who has a real flair for numerous instruments, but most is Dunn’s.  Last year’s Edmund & Leo entrenched itself solidly in my Top Ten early in the year and refused to be replaced.  Here is Dragonfly from that album.  Seriously, listen to the production and arrangement on this.  They are exceptional.

 

 

Lisbee Stainton seems to be one of those musicians from the UK who somehow gets lost in the shuffle, not unlike Ireland’s The Minnows.  Unique, impressive, and with exceptional voice, she has made great inroads in home country England but just cannot seem to gain a toehold in the US of A.  I blame it on Miley Cyrus and Katy Perry, but then I blame everything on them.  Oh, and Justin Bieber.  Can’t leave him out.  Here’s the thing, though.  Lisbee has put out four good to exceptional albums and has little to show for it in North America.  Time for the US and Canada to take the earmuffs off— well, after the winter season, anyway.  Here she does a live performance of a song from the excellent Word Games album (2013).  Listen closely.  She won’t be a secret long.

 

 

There’s this dude in Portland, Oregon, one Ben Darwish, who came up with this futuristic story of the past— a story of drought and the struggle to find potable water in what seems to be a dying world— which he calls The Clear Blue Pearl.  Consider it theater of the mind music.  The vocal core of the band (Morning Ritual) is Darwish and The Shook Twins, two Pac NW girls who are turning some heads.  This is a track from the opus, performed live by Oregon Public Broadcasting.  They have performed the entire album live.  I am sorry to have missed it.  And, yes, the Shooks perform on their own as a duo and in combinations with other bands.  As a fellow Oregonian, I can’t help but have a little pride in them.

 

 

I’ve said it many times.  Rita Hosking is a musical treasure.  She comes from mining stock (meaning her ancestors were miners) and has a grasp of the past that she weaves into some of her music that is quite disarming.  Bluegrass, folk, country, pop— she does it all.  Here she is performing a song from her latest mini-LP, Little BoatParting Glass— a song I have come to love almost as much as a song she recorded earlier, The Coyote.  Remember, this is live, folks.  No overdubs, no bells and whistles.

 

 

The Abramson Singers— How I missed this British Columbia collective, I don’t know, but I somehow did.  Fool’s Gold I had heard through a site promoting Canada’s Lilith Fair tour a couple of years ago, but I could find little else on the Net.  Well, it’s there now, and I’m telling you you should take a listen.  Not only is Leah Abramson unique in voice, she has a real sense of song quite different than others I have heard.  This is beautiful stuff.  Two albums and a single from an earlier solo album.  Listen to them all.  Maybe, as my friends sometimes tell me, I am easily impressed, but I am really impressed.  ReallyYou can listen to the albums and single here, and if you prefer, here is a video of a song from their latest, Late Riser.

 

 

Sometimes I think it’s time to turn it all over to the kids.  When the kids are as talented as Paige Anderson & The Fearless Kin, I don’t think that would be bad at all.  Here is the video which turned me onto them, passed along courtesy of the aforementioned Rita Hosking.  There is one whole lotta talent in Grass Valley, it appears.  I especially love the end where the kids smile, knowing that they just nailed the vocals.  Makes me chuckle every time.

 

 

Women in music, indeed.  I am finding that I am more and more an equal opportunity listener, but I do have a special feeling for what women are doing these days.  Their time is fast approaching, not only in music but everywhere.  Time for us men to step aside and give credit where credit is due.  They have surely come a long way, baby, and they ain’t done yet.  Check back in a year and I’ll have Part Three ready for you.

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