Archive for Cream

OTTAWA-Capital Rocks

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 2, 2014 by TheManicBlogger

I was quite surprised to find that there was more going on in Canada‘s capital city than just Senators padding their expense account, and all of the other goings on at Harper’s Bizarre.  The city on the Rideau has spawned some wonderful Indie music during 2014. Here are some of our favorites from Ottawa, Ontario.

 

theredrailsno2The Red Rails offer a classic rock sound immersed in blues.  A sort of Cream meets The Black Crowes. With a 21st century edge. I like it! This is not background music. A Living Fiction is an album you play in its entirety. In your car. While taking a 40 minute drive down a highway. Make sure it is a highway. You cannot drive slow while listening.

 

 

superlativeno2Numero Deux is a wonderful treat. It is a change from ‘Chester‘: It is grittier, edgier, and it has bite. There is a wonderfully full sound, with layers of instrumentation that blend together in magical, musical mayhem. And once again, the album cover is way cool. Give this a few listens, as it gets better every time. And purchase a copy. An exceptionally thrilling adventure by The Superlative.

 

 

rf1Thoughts & Reason is filled with wonderfully melodic guitar, often with electric riffs over the more subtle acoustic. There are great vocals, singing heartfelt lyrics, and nice harmonies. The vocal effects are nicely done, and the changes are dynamite. A sort of singer-songwriter side to Ryan Fitz, with personal songs that touch on universal themes, simply played, with guitar and vocals. Nothing else. This guy can write songs. A wonderful change, perfectly executed. I am liking this Ryan Fitz.

 

 

neverfriend2Neverfriend delivers a raw, energetic, yet sophisticated album. Combining elements of pop, punk, and hard rock, the songs never seem to disappoint. Evolve is filled with pop melodies with punk/rock instrumentation. Way cool. I like the sound. I like the songs. I like the band.  Get ready for the release, and get yourself at least 1.

 

 

 

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THE CORSETS-Are You Lonely, Are You Scared

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , on October 31, 2014 by TheManicBlogger

The Corsets released “Are You Lonely, Are You Scared” in July 2014. The album contains 9 tracks of alternative blues-rock that had me wondering why I hadn’t heard of this Toronto band earlier.

corsets2Hit The Ground” opens the album with a great blues riff, and wonderfully haunting vocals. The changes and the effects are way cool. The drums and bass line of “Changing With The Weather“, carry the song. The changes rock, and the bridge is dynamite. I think I heard an organ in there, as well! The funk feel of “You Only Wish”  adds texture to the wonderful melody, and great vocal track. The blues come to town in “I Don’t Need You“,  with its sweet guitar riff and exceptionally cool changes in tempo, that occur effortlessly.  The short, yet sweet “Lady“, offers amazing corsets1drumming, and wonderful changes in tempo and melody line, while “Do What Moves You” offers a cool reggae influence with rock and blues highlights. Very interesting track. “Can I Get A Piece Of You?” with its sweet blues-rock guitar, nice changes and transitions, and great melody, has a cool Cream feel to it. Two tracks are standouts. “My Show“, has a great melody, exceptional drums and bass line, and wonderful changes, all within a aura of melancholia. It ends the album with a single strum of  acoustic guitar. Very fitting, Very Cool. My favorite track, “Take It Easy, Baby“, delivers a great rhythm section, and a way cool riff. The melody is wonderful, and I enjoy the use of distortion here. A dynamite track that just plain rocks.

 

 

 

“Are You Lonely, Are You Scared” is a wonderful adventure. The Corsets manage to harness their individual talents into a harmonic whole that is indeed the sum of its parts. Each is easily identifiable, yet needs the other parts to be heard. The energy level is wonderfully exciting, and the songs well, incredibly creative. Add this to your collection. It is that good.  Check it out and get your copy here: http://the-corsets.bandcamp.com/album/are-you-lonely-are-you-scared

 

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MUST HAVE CANADIAN INDIE ALBUMS-May 2014

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , on May 31, 2014 by TheManicBlogger

To kickstart your summer, here are 2 great albums from exceptionally talented Canadian bands, both hailing from Ottawa…Nice to hear something good coming out of the Nation’s Capital…

 

The Red Rails-‘A Living Fiction

 

theredrailsno2The Red Rails’ A Living Fiction, offer a classic rock sound immersed in blues.  A sort of Cream meets The Black Crowes. With a 21st century edge. I like it! This is not background music. This is an album you play in its entirety. In your car. While taking a 40 minute drive down a highway. Make sure it is a highway. You cannot drive slow while listening. A serious contender for Canadian Indie Album Of The Year.

Check out the 1st single off ‘A Living Fiction’:  https://soundcloud.com/theredrails/on-the-line

 

 

 

The Superlative-‘Numero Deux

superlativeno2Numero Deux is a wonderful treat. It is a change from their first release, ‘Chester‘: It is grittier, edgier, and it has bite. There is a wonderfully full sound, with layers of instrumentation that blend together in magical, musical mayhem. And once again, the album cover is way cool. Give this a few listens, as it gets better every time. And purchase a copy. An exceptionally thrilling adventure.

http://thesuperlativeband.bandcamp.com/

 

 

 

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THE RED RAILS-A Living Fiction

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 23, 2014 by TheManicBlogger

Something is happening in Ottawa, besides the usual graft and deceit propagated by politicians and bureaucrats. The local music scene in Canada‘s capital just keep delivering music from some wonderfully talented bands.

theredrailsno3A Living Fiction“, the new album by Ottawa’s The Red Rails, is scheduled for release on Wolf Stomp Records in July, 2014. I have previewed the 10 track album, and was not disappointed. The album rocks from start to finish, beginning and ending with way cool reverb on “Prisoner” and “Fill My Hands“. I found wonderful ‘fuzz’  in “On The Line“, and a 1970’s melodic rock feel while listening to “In A Whisper“. There are great effects, and a western style guitar/tex-mex sentiment to “One In The Attack“, and beautiful acoustic guitar in “The Ocean“. “Lions” offers a way cool mini drum solo, and I dig the  funk bass line, and way cool guitar found in “Beast“. I heard great changes and transitions throughout, but I particularly enjoyed the changes in tempo and time signature evident in “Save Her Soul“.

 

 

theredrailsno2The Red Rails offer a classic rock sound immersed in blues.  A sort of Cream meets The Black Crowes. With a 21st century edge. I like it! This is not background music. This is an album you play in its entirety. In your car. While taking a 40 minute drive down a highway. Make sure it is a highway. You cannot drive slow while listening. A serious contender for Canadian Indie Album Of The Year.

Check out the 1st single off ‘A Living Fiction’:  https://soundcloud.com/theredrails/on-the-line

 

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MUST HAVE CANADIAN INDIE ALBUMS-November 2013

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 1, 2013 by TheManicBlogger

THE PYGMIESInside Your Mind

pig1The Pygmies have nailed it. The sound is captivating and the songs are brilliantly written.  I enjoy the 2 1/2 minute tunes, which are written in a pop style-short and simple, and give me the sense that these were recorded live in one take. These guys are adept at dropping garage melodies into 1960’s pop, and 60’s pop melodies into garage music. They have a distinct knack for vocal melodies and harmonies, and a great sense of humor. I only wish that this was a double album. The Pygmies have developed a style that gives me The Zombies and The Kinks with a kiss of The Flaming Lips, and they have made it work. Definitely a must have album.

http://thepygmies.bandcamp.com/

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JENNY AND THE FELINESDon’t Look Back

 j&f1Not Canadian, but the music is so amazingly good, I don’t care. This band rocks. This band rolls. Jenny And The Felines does it all. Don’t Look Back is a wondrous compilation of memorable tunes with catchy hooks and melodies. They have created a unique blend of 1960’s and 1970’s music with an alternative edge. The songs all fall within the 2-3 minute range, and contain simple, straightforward yet meaningful lyrics. Jenny Cat writes amazing tunes, with insanely good choruses. The guitar solos and riffs are short, precise and intense. This woman can write songs. This woman can sing. This woman can play guitar. Simple music. Great songs. Nothing forced and nothing overwhelming. Don’t Look Back is a way cool 60’s feel good journey. Listen and then listen again. Once is definitely not enough. One of the most exciting albums I have heard in a long, long time. Destined to be on the short list for I Can’t Believe My Earz Album Of The Year.

http://jennyandthefelines7.bandcamp.com/

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THE RED RAILS

rr4These guys know how to rock. Kim Vincent (guitar, vocals), Chris Slaney (bass, backing vocals), and Steve Brogno (drums)  play noting but great music. Power-rock/blues at its best. Every song elicits shade of Cream. It is evident in the Jack Bruce vocals and bass line, the bluesy riffs,  and the Ginger Baker drumming. The songs are wonderfully written and executed to perfection. Just when you think you’ve got the song figured out, there is a change, a transition, something you don’t expect. And it fits. Power rock cool. Definitely on the short list for best album of 2013.

http://www.theredrails.com/

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THE RED RAILS

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 12, 2013 by TheManicBlogger

rr2I found The Red Rails lurking in the shadows of my internet travels. shortly after the Ottawa, On.  power trio released their self titled,6 track debut EP. After learning they are influenced by Them Crooked Vultures, Jack White, Death From Above 1979, Bright Light Social Hour, and The Beatles, yes, The Beatles, I wasn’t sure what to expect. What I got was an exceptional blend of Pop, Rock, Blues, and Funk.

rr4El Dorado” has a great melody, and a great 70’s rock feel. There are wonderful changes and very cool guitar played over great drumming and a funky bass line. The guitar riffs and fuzz bass sound make “Hustlin’ Queen“, while “Night Owl” gives up a great blues guitar solo, amazing vocals and a great bass line. The harmonies are nicely placed, and the key change made my day. “Soft Face” has very heavy bass and a great rock riff. The vocals here are outstanding. The great blues guitar solo of “Why” just adds to the in your face vocals and shear power of this song. There is a little bit of The Black Crows in here. My favorite track,  “Chapter 9“, opens the album with amazing vocals, great bass and drums, a wonderful chorus and some very cool guitar effects.

rr3These guys know how to rock. Kim Vincent (guitar, vocals), Chris Slaney (bass, backing vocals), and Steve Brogno (drums)  play noting but great music. Power-rock/blues at its best. Every song elicits shade of Cream. It is evident in the Jack Bruce vocals and bass line, the bluesy riffs,  and the Ginger Baker drumming. The songs are wonderfully written and executed to perfection. Just when you think you’ve got the song figured out, there is a change, a transition, something you don’t expect. And it fits. Power rock cool. Definitely on the short list for best album of 2013.

You can download The Red Rails FOR FREE, right here:  http://www.theredrails.com/

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RTDS

Radio That Doesn’t Suck. All The Time. http://rtds.ca/

THE SONG REMAINS THE SAME…

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 24, 2013 by TheManicBlogger

I had spent the better part of a day with a friend, who is certain that Led Zeppelin sits at the right hand of God, discussing music. As his attempts to throw me off my Beatle wagon fell on deaf ears, he resorted to idiocy and asshat-ery. His premise became threaded with examples of Beatle thievery; stealing songs from others and claiming them as their own.  I decided to do some checking into the prevalence of plagiarism in popular music. The findings may surprise you.

george1john1Yes indeed,  George Harrison was found guilty of plagarism.  “My Sweet Lord” was ruled a case of subconscious theft of The ChiffonsHe’s So Fine“.  It cost him a little of $500,000,00 and 75% of the song;s North American sales.  John Lennon‘s “Come Together” was ruled to have plagarized Chuck Berry‘s “You Can’t Catch Me“. Lennon agreed to record 3 more of the writer’s songs as a settlement. Well, John only recorded 2 and the writer sued him. Lennon was ordered to pay $7000.00.

The Doors have been accused of lifting “Hello, I Love You” from The KinksAll Day And All Of The Night“. Staunchly denied by Doors guitarist, Robby Krieger who said that The Doors did lift the drum beat of the song from Cream‘s   Sunshine Of Your Love“.  Johnny Cash‘s “Folsom Prison Blues” is an almost carbon copy of Gordon Jenkins‘ “Crescent City Blues“, which was penned 2 years before Cash wrote his bbsong.  Johnny Cash paid Jenkins about $75,000.00. The Beach Boys‘ “Surfin’ USA” can actually be sung to the Chuck Berry tune “Sweet Little Sixteen“. Brian Wilson admitted to ripping off the melody and Chuck Berry was given co-authorship of the song and a portion of the royalties.

The Rubinoos

The Rubinoos

Other notable mentions include Ray Parker Jr;, writing “Ghostbusters” after stealing the melody from Huey Lewis‘  “I Want A New Drug“; The Oasis song “Whatever” was lifted from Neil Innes‘ “How Sweet To Be An Idiot“; The Rubinoos song   “I Wanna Be Your Boyfriend” was reworked into Avril Lavigne‘s hit “Girlfriend“. And The Rolling Stones‘ “Anybody Seen My Baby?”, lifted from k.d. lang & Ben Mink‘s “Constant Craving” was resolved by giving lang & Mink writing credit. Interesting, but not what I was looking for.

zep

Spirit

Spirit

I had already known that Led Zepplin had ripped off Spirit‘s 1968 song “Taurus” and used it in “Stairway To Heaven” and that Spirit had toured with Led Zepplin in  1969. But there had to be more. And then I found it. An extensive list of Zep-pilfering. “Black Mountain Side“, appearing on the 1st Led Zeppelin album is a traditional English folk song that appears on Bert Jansch‘s 1966 album, Jack Orion as “Blackwaterside“, yet it is credited on the Zeppelin album as a Jimmy Page composition. Pretty slick!!  The same Zepnique was used again on “Babe I’m Gonna Leave You“, written in the 1950s by Anne Bredon (covered by Joan Baez in the 1960s) and credited by Zeppelin as “trad.,arr. Page”. In the 1990s it was changed to give Bredon credit for writing the song. The Led Zeppelin III song, ” Since I’ve Been Loving You” features lyrics taken from the  Moby Grape song “Never“. Is it coincidental that Moby Grape was one of Plant’s favorite bands? HA!

Bobby Parker

Bobby Parker

The guitar riff in “Moby Dick” is a nearly note for note rip-off of Bobby Parker‘s 1961 single, “Watch Your Step“. Jimmy Page was a Parker fan and at one time tried to sign him to Swan Song Records. “In My Time Of Dying“, a traditional blues song that has been recorded by many musicians since the early 1960s, was credited as being written by “Page, Plant, John Paul Jones, John Bonham”.  Great Zepnique. Again. Off of Zeppelin II, “The Lemon Song” borrows heavily from the Howlin’ Wolf song, “Killing Floor“. Credits again attribute the song to Page, Plant, Jones and Bonham. Another Zeppelin II song, “Bring It On Home” was written by Willie Dixon. However Willie Dixon was not given writing credit and Led Zeppelin was sued for copyright infringement. The case was settled out of court.

Jake Holmes

Jake Holmes

Whole Lotta Love“, again from Zeppelin II and the band’s 1st hit single, is not an original composition as the album credits originally claimed. The lyrics were taken from Willie Dixon’s “You Need Love” and this was settled out of court. Released on Zeppelin’s 1st album, “Dazed And Confused” was originally credited as being written by Jimmy Page. However, this is not the case. It was originally written by folk singer Jake Holmes who opened for The Yardbirds while Page was a member. Page arranged a version of it for The Yardbirds but he didn’t record a studio version until 1969 with Led Zeppelin. HA!

So there it is. There are many other cases of plagiarism in music, far too many to mention. This is not intended to slam Led Zeppelin but rather to ask my pal, Mr. K. is Led Zeppelin really a farce as implied on Howard Stern  or just the greatest cover band in music history? In any event, there you have it, my friend. Thievery, pilfering, song snatching, whatever you wish to call it, seems to run rampant on the Zeppelin. Should we start to question if the Zeppelin is actually theirs?

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