Archive for end of time

THE EVERYWHERES-Habitualism

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 20, 2014 by TheManicBlogger

Habitualism‘, the 8 track album by Halifax, Nova Scotia’s The Everywheres, was released in May, 2014. Somewhat unfortunate that I did not discover it until October!

the everywheres3The opening track, “Through Flowers“, offers some great 1960’s vocal effects. The melody & the bridge are way cool, and the guitar solo wades waist deep into surf-pop. Great first track. “End Of Time” has a great 60’s vibe, created by guitar & vocals, with dynamite reverb, cool vocal tracking, and a sweet melody. The riff and solo are wonderful. The way cool blues solo in “Courtyard Blues” highlights the great riff, amazing changes, and dynamite melody. Way cool! “Organ” has a great psych-pop feel, with cool drums, great vocals, and dynamite keys. The title track, “Habitualism“, has a somewhat faster tempo, and delivers sweet drumming, wonderful changes, and a great solo and riff. I dig everywheres2the vocal track. The melody of “California Reeling” brings the great solo, changes, and cool bridge together. There are 2 tracks that are standouts.  “Egyptian Drag” offers some of the coolest vocals I have heard, above a wonderful melody. The bass line can only be described as great, and the solo, very cool. There are great changes, and I swear I hear a flute. The song has a dynamite 1960’s psychedelic energy. The way cool psych-pop riffs and reverb of “Sacred Cow” make this dreamy 60s track come alive. There are great changes, and more great keys, with an almost John Lennon thing going on in the melody & vocals. Very cool!!

the everywheres1Pop. Psych-pop. 60s pop. Psychedelic. Dream pop. They all work. The Everywheres have delivered an album that captures the essence of the psychedelic 60s. At times I hear shades of The Mamas & The Papas doing dream pop. The vocals are wonderfully elegant, and the effects dead on. The songs are exceptionally written, filled with exciting and esoteric arrangements, creating a wonderful feeling, and a wonderful time. I could listen to this over and over again. Check ‘Habitualism’ out, and then treat yourself and download a few copies at a “name your price” offer, or purchase hard copies on cassette. Way cool!!

 

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THE PYGMIES-Inside Your Mind

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 22, 2013 by TheManicBlogger

pig5Out of the frozen Canadian Prairies come The Pygmies, reinventing Western Canadian music. This Calgary, Alberta garage-pop/punk band with roots in the 60s and 70s, have released 3 albums in the past 2 years, and thankfully, I have listened to them all.

pig3The January 2012 EP  The Pygmies, contains 2 tracks, “Because You’re Mine” and “Can’t Get You Outta My Head“. The songs are amazingly well crafted, with wonderful melodies. Reminiscent of early Kinks, they contain great riffs and solos, with an edge. Sort of The Kinks meet The Ramones.

pig2Pygmy Parumpapumpum, one of my favorite album titles of all time,  contains 4 tracks, and was released in November 2012 with, as you guessed, an Xmas theme. Songs like “Santa Claus“, “Father Christmas“, and “Pygmy Xmas” offer a Punk/Pop perspective of the holiday season by delivering great harmonies, amazing riffs and transitions, and some very cool drumming. The title track, an instrumental  take on the classic Christmas tune, intertwines itself with a verse or 2 of Silent Night, played with way cool psych guitar effects, and amazing 60’s organ. A way cool Xmas album.

pig1The 10 track Inside Your Mind, released in November 2013, has made the short list of our Canadian Indie Album Of The Year. Refreshingly simple, yet intense, this album has blown me away. “Hold Tight” has great effects and nice harmonies, while “Death March” gives us a great 60’s pop song with a wonderful melody and great harmony placement and shades of The Ramones. “I Can’t Get Out” , a perfectly executed garage-pop tune foreshadows the surf guitar riff, solo and Beatle ending of “Last Night“. The keyboard solo of “Inside Out“, with its early The Pretenders feel, and the obvious The Kinks influence of “End Of Time” make these prototypical  pop songs. The vocals on “No Connection” are tremendous and I really dig the 60’s ending. The pounding drums and ethereal harmonies of “Cannibal” are a perfect counterbalance to the much slower tempo. The heavy garage sound with a 1960’s vocal melody and organ of the title track remind me of something in a 1960’s teen beach movie. And I really like it. My favorite track, “Chain Reaction“, opens the album with incredible keys, a great melody, and way cool riffs and guitar effects. Sort of Smash Mouth with a 60’s twist. This song plays over and over in my head.

pig4The Pygmies have nailed it. The sound is captivating and the songs are brilliantly written. I enjoy the 2 1/2 minute tunes, which are written in a pop style-short and simple, and give me the sense that these were recorded live in one take. These guys are adept at dropping garage melodies into 1960’s pop, and 60’s pop melodies into garage music. They have a distinct knack for vocal melodies and harmonies, and a great sense of humor. I only wish that this was a double album. The Pygmies have developed a style that gives me The Zombies and The Kinks with a kiss of The Flaming Lips, and they have made it work. Definitely a must have album.

You can listen to The Pygmies here:   http://thepygmies.bandcamp.com/

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