Archive for folk

2014 INDIE ALBUM OF THE YEAR

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 15, 2014 by TheManicBlogger

With a significant number of quality Indie releases this year, narrowing a list down to 10 albums, worthy of I Can’t Believe My Earz‘  2014 Indie Album Of The Year, was no easy task. There are some honorable mentions: Neverfriend-‘Evolve‘, The Everywheres-‘Habitualism‘, Harbour-‘Grade School Summer‘ & Social Strife-‘With Friends Like These…’.  We listened to them all, and here is our pick for the top 10 Indie Albums of 2014.

 

#10     DRUCKFARBEN————–‘Second Sound’

druck I am not certain why Druckfarben has been a mystery. These Toronto based musicians are insanely talented. It is an impressive work.   ‘Second Sound offers wonderful musical themes in an array of movements that are woven together in layers to create an incredible musical journey. This is way cool arena rock, out of the 1970s, with a 21st century bite. If you like Progressive-Rock, Druckfarben is the real deal.

 

 

#9     THE RED RAILS———-A Living Fiction

theredrailsno2The Red Rails offer ‘A Living Fiction‘, a classic rock sound immersed in blues.  The Ottawa band has a sound that reminds me of Cream meets The Black Crowes. With a 21st century edge. I like it! This is not background music. This is an album you play in its entirety. In your car. While taking a 40 minute drive down a highway. Make sure it is a highway. You cannot drive slow while listening.

 

 

 

#8     THE SATISFACTORS——–‘The Satisfactors’

the satisThe Satisfactors self titled debut album. It rocks from beginning to end with a wonderful garage groove. The songs are amazing. They are wonderfully crafted, and played with a beat that just doesn’t stop. Bruce’s vocals are great. Cool to hear from  Jersey’s Fantastic 4! The bass lines, and  guitar riffs are insanely good, and I like the less is more approach to the drumming.  This is rock ‘n’ roll the way it is meant to be played! This is Rock Til You Drop! This is The Satisfactors!

 

 

#7     SOUTH OF BLOOR——‘The Street’

south of bloorThis Toronto band has re-generated my lust for pop with the release of ‘The Street‘. The songs are exquisite 2-3 minute masterpieces. Their ability to write wonderful bridges and changes has me almost awe struck. The vocals are spectacular. The melodies, wonderful. This album delivers 5 terrific pop songs with alternative rock influences. And it works. A wonderful album. A fun time.

 

 

 

#6     TOXIC MELONS———‘Bus Therapy’

tm ‘Bus Therapy‘ is my kind of therapy. This album by Northern England’s Toxic Melons is inspiring, soul touching, and mind altering. The album plays like a journey through a toxic mind, but that’s ok. The songs are pop heaven, with shades of folk, blues, electronic, and some western influences. This Paul Fairbairn can write songs. The melodies are out of this world, and the harmonies, well, remind me of The Beach Boys. The music is wonderfully eccentric.The album is insanely addictive. It has me singing along and I haven’t figured out all of the lyrics yet!  An amazing compilation of great songs that has been placed on my must have list. Very cool.

 

 

#5     THE MINNOWS———‘Live At The Belfast Barge’

the minnowsAside from Yessongs, Waiting For Columbus and The Last Waltz, I have never been a big fan of live albums, but I have to add this Irish band’s ‘Live At The Belfast Barge to the list of great live albums. The songs are as wonderful as I remember them, and they stand up to the passage of time. The band is insanely cohesive, and the musicianship, extraordinary. I have spent the better part of the year immersed in The Minnows and I can tell you that swimming with the fishes is not a bad thing. This is a must for your collection.

 

 

#4     THE CORSETS———–‘Are You Lonely, Are You Scared’

the corsets

Are You Lonely, Are You Scared is a wonderful adventure. Toronto’s The Corsets manage to harness their individual talents into a harmonic whole that is indeed the sum of its parts. Each is easily identifiable, yet needs the other parts to be heard. The energy level is wonderfully exciting, and the songs well, incredibly creative. Add this to your collection. It is that good.

 

 

 

#3     XPRIME——–‘The Album’

xprimeXprime should be big. Hailing from Niagara Falls, Ontario, they write incredibly melodic songs with amazing harmonies and unforgettable hooks. These are talented musicians who seem to be having fun with every note played. ‘The Album‘ is a must have album. Give it 4 or 5 listens. At least. Pay particular attention to “To See You Here“, a 70′s pop-folk tune that reminds me of Poco, “Feels Like I’m The Only One“, a way cool song with R & B overtones, and “Early To The Sun“.

 

 

#2     THE AFTER HOURS——-‘Shaken, Not Stirred’

the after hoursI really like Los Angeles’ The After Hours. I am a fan! They cite among their many influences The Beatles, The Beach Boys, The Kinks, The Byrds, The Zombies, The Hollies and The Turtles. Is it any wonder their music has wonderful 1960′s melodies, harmonies and riffs?  The vocals and the guitar work stand out. ‘Shaken, Not Stirred captures the essence of 60′s music. The songs are wonderfully written, and demonstrate a remarkable ability to integrate all of their influences into one cohesive and coherent sound. This is a must have album.

 

And, finally, the I Can’t Believe My Earz Indie Album Of The Year for 2014…

 

#1     THE HOT SPROCKETS——‘Brother Nature’

hsBrother Nature‘ by Ireland’s The Hot Sprockets. 13 tracks, and not a bad one to be found. I have listened to this album over and over, and it just keeps getting better. The songs are insanely good. The production, wonderful. These guys can write. These guys can play. The album has a ‘live off the floor’ feel to it. I haven’t heard this much energy in an album in a long time. The Hot Sprockets refer to their music as ‘country dirt”. I prefer to call it Irish Soul! Brother Nature is one of the most powerful albums I have heard in 2014, filled with the unusual, and the unexpected.

 

And there you have it. 10 exceptional albums. The I Can’t Believe My Earz picks for 2014. Give them a listen. Purchase them. Support Indie Music, and Indie bands.

 

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WOLVES AS FRIENDS-Small Goodbyes

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , on May 4, 2014 by TheManicBlogger

wolvesasfriends1I had arranged to meet Rodolfo Caceres, front man for Wolves As Friends at Stout’s Irish Pub, on Carlton St. Sitting there, waiting for him to arrive, I was unsure of what to expect. Hell, I wasn’t even certain if this Peruvian musician spoke English. He arrived looking very much the North American, and his English, dusted with an accent, was excellent. We talked. This wasn’t an interview, we just talked. We talked about the music scene in Lima, Peru, the fate of indie bands in his home country, and his new found love for Toronto. We discussed the music industry, his recent trip to Austin to attend SXSW, and his collaboration with Tim Palmer.

The 5 tracks on the Small Goodbyes ep have an acoustic sound, with incredible strings, albeit electronic. They are beautifully arranged, with wonderful instrumentation. The melodies are intoxicating, drawing you in by the heart and soul. Each song engages the listener, enveloping you with the passion of the composer. The songs are simple, using acoustic guitar and very little else. And then, there will be a flurry of wolvesasfriends3strings, piano, and cymbals that seem to come out of nowhere, and once heard, you realize it needed to be there. The vocals are exceptionally melancholic, dark and brooding, and at times, incredibly powerful. This guy, most importantly, can write songs.  Songs that are brilliantly melodic, with wonderful changes and bridges.

I had listened to the ep prior to our meeting, and then listened to it again when i got back to my office. I remembered Rodolfo telling me that he had thought of “quitting” the business, and just heading to the mountains with his guitar. He stated that he just needs to write and play. It is evident on Small Goodbyes. The 5 tracks are real, personal, and introspective. They speak of life, pain, and hope. There are elements of folk, pop, and rock.  Every song is exceptional. Pay particular attention to “Slip Away“, and “20 Years“.  Hell, the entire album is wonderfully moving. Not so bad having Wolves As Friends.

Wolves As Friends will be performing during Canada Music Week in Toronto on May 9/14 at The Marriott Hotel (downtown), and on May 10/14 at Free Times Cafe. The ep can be streamed and purchased on the band’s website. You can even get a free download!!

 

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XPRIME-The Album

Posted in Uncategorized with tags , , , , , , , , , , , , , , , on March 6, 2014 by TheManicBlogger

xprime2So, 2 years ago  Bob Segarini told me that Xprime were going to be something big. I should have listened. Segarini has been around, and he knows music. I got on the Xprime bandwagon late, but as they say, better late than never. The 1st full album release by this Niagara Region band, simply titled  The Album  and set for release on March 8, 2014, is an exemplary work of art.

xprime1The album is filled with wonderful pop melodies that serve as a perfect platform for the incredible vocal range of   Gab Sid .The guitar runs throughout are perfectly played and placed. The instrumentation is wonderful, utilizing several keyboards, as well as acoustic guitars, and I swear I heard a xylophone. The harmonies are exquisite, and the transitions and changes, flawless. The album touches on several genres, pop, folk, and even rhythm & blues, and each seems to have been written and recorded effortlessly. There are interesting riffs, amazing drumming and some cool bass lines. I hear electronics, cool guitar solos and unique vocal phrasings. Dynamite album, and a whack of fun to listen to.

xprime3Bob Segarini was right. Xprime should be big. They write incredibly melodic songs with amazing harmonies and unforgettable hooks. These are talented musicians who seem to be having fun with every note played. This is a must have album. Give it 4 or 5 listens. At least. Pay particular attention to “To See You Here“, a 70’s pop-folk tune that reminds me of Poco, “Feels Like I’m The Only One“, a way cool song with R & B overtones, and “Early To The Sun“.

Check out Xprime’s music, videos, upcoming gigs and where to get this album:  http://http://www.xprime.ca/

 

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THE MINNOWS-Live At The Belfast Barge

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minnows1There are Irish bands I like, and Irish bands I really like. I like U2, The Pogues, and The Cranberries. I really like Them, Thin Lizzy,  The Boomtown Rats, and The Minnows. Originally called Tiberius Minnows, which I like to believe is in homage to the captain of the USS Enterprise, James Tiberius Kirk, this band released several singles and EPs from the late 80s and into 2007. In 2008, now called The Minnows, they released their full length album, Leonard Cohen’s Happy Compared To Me.. It was a great surprise and thrill to find Live At The Belfast Barge. This 10 track album contains songs both old and new.

The album opens with “Roonkin“, filled with great guitar, a wonderful bass line and cool vocals. The effects add another dimension to this pop-rock song, with stellar vocals that be-cry “Oh no, I forgot my guitar. I don’t know how I got this far“. The melody and harmonies are dynamite and the changes rock. One of those songs I wish was 3 minutes longer. The previously unreleased “What Was I Supposed To Do” contains incredible horns and strings sounds and opens with bongo playing. An amazing melody, powerful vocals and a way cool guitar riff, make this one of my favorite ballads of all time.”The Steepest Hill” has great harmonies, and nice electronic effects. The transitions and changes add to the melancholy feel that underlies this track. With cello and bells, “Baby Blue” displays unique instrumentation within a great melody. The way cool guitar solo doesn’t hurt. minnows2September 25” opens with acoustic guitar, and demonstrates amazing song construction. The melody and changes are great, and there is another very cool guitar solo. The Leonard Cohen vocal style of “Why Don’t You Phone Me Anymore“, adds to the great strings effect and wonderful bridge. The melody rocks, and the reference to Sinatra‘s  “My Way“, perfectly suits the male chorus ending. The pop song with an 80’s feel, “Another Rainy Day“, offers a sweet melody, nice harmonies, and wonderful changes and transitions. The harmonized vocals are exceptional.  “Free Man Freeman“, a folky song, has a great melody. The harmonies again, dynamite and the guitar riff, sweet. The synthesizer and great “chain gang” vocalization as the song ends, kill. “Sailing On” has cool synthesizer effects, a sweet melody, and great changes and transitions. The vocals and harmonies are wonderful, and the guitar riff rocks. Add an outstanding chorus and  wonderful strings at the end, and you have a great rock song. Not often does a 20 year old song still kick ass, unless you’re The Beatles. However, “Time Flies” is still an incredible pop song with a rock edge. The amazing melody drifts over great synthesizer. The wonderful harmonies, great bridge, and dynamite hook, nail it. This should  have been an anthem for that generation of disenfranchised youth, or at least, an Irish Football fight song.

photoAside from Yessongs, Waiting For Columbus and The Last Waltz, I have never been a big fan of live albums but I have to add Live At The Belfast Barge to the list of great live albums. The songs are as wonderful as I remember them, and they stand up to the passage of time. The band is insanely cohesive, and the musicianship, extraordinary. I have spent the past week immersed in The Minnows and I can tell you that swimming with the fishes is not a bad thing. This is a must for your collection.

Check out The Minnows:  http://https://www.facebook.com/pages/The-Minnows/131768390195614, and get this album. You have until March 15/2014 to go to the band’s facebook page, click LIKE and download the album for FREE.

 

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YOU’VE COME A LONG WAY, BABY…WOMEN IN MUSIC, PART 2

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Another insanely informative and entertaining article by Frank Gutch, Jr. This time its all about women in Indie Music.

 

Time for the followup to the first post regarding women in music (click here) and, boy, have they ever!  Come along way, I mean.  You can forget about barefoot, pregnant and in the kitchen (yep, there were idiots in the old days too) and inequality in the workplace, at least if the workplace has anything to do with music.  Ladies have shrugged off the shroud the old boys club laid over them and are giving them the old what-for (and they damn well deserve it).  Those days when the few women who picked up instruments were allowed only so much respect are now kicking the guys to the curbside.  Consider it the equivalent to kicking sand in the wimpy guy’s face.

I grew up to respect women, to look upon them as individuals (which wasn’t easy, considering the large amounts of hormones which were kicking my ass in  my earlier years) and to consider them equals.  Given the chance, I thought, they will overcome, and, man, have they!  You want proof?  I’ll give you proof!  Starting with…..

No Small Children—  Whew!  I have waited for a band like this for decades— a three-man (er, wo-man) band with punch and grit and chutzpah to show their wiles.  I back-doored into the band, having found them through their guitarist who used to record under (and still retains the name of) Lisa Parade.  Two albums and I was in love.  Lisa has everything it takes to make music fun and, more importantly, make music music!  She is joined on this project by sister, bassist and major voice Joanie Pimentel and the percussive poundmaster her own self, Nicola B.  Thus far, they have recorded a number of tunes, all available for perusal on their bandcamp pages (click here and be sure to check out all the tracks available by clicking on the icons on the right), and have a new album almost ready for delivery.  But why wait?  Here is a video which says everything I cannot.  I love these girls!!!

 

 

Dala—  Surely you have heard of Dala by now, but just in case you haven’t, let me tell you a bit about them.  They’re Canadian, are working their asses off touring wherever people will hear them and are doing on their own what the music industry would not do for them.  I found them quite by accident, having checked in with CDBaby at just the right moment, and watched them wow the crowds at the The Newport Folk Festival a handful of years ago before barnstorming North America and the UK, building a solid following.  Their voices are beautiful and sometimes downright haunting, their music is sweet and ethereal and they have the attitude which many women musicians have these days— do or die.  Here is a song from their latest album, Best Day.

 

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Arborea—  Okay, it’s only half-woman, but Shanti Curran is so good she makes up for the non-half.  This duo have been shopping their musical wares for some time now and are finally beginning to break through the white noise.  When trying to describe what they do, I stumble over words and phrases like “renaissance” and “medieval folk” and “trad folk”, but none really fits the bill.  They are, in a way, futuristic with a serious look backward.  Whatever it is, it is beautiful stuff.  Maybe this will help.

 

Good buddy Brian Cullman is always drawing names out of a hat (at least, it seems like it) and his latest is a lady named Mary Fahl who, for some odd reason, always posts herself as Mary Fahl (former lead singer of October Project).  I had not heard of October Project until I started following Brian’s leads but am well aware of them now.  Mary has had a run with major labels and is now attempting to work the field her own self (though she must have label connections somewhere) and I give her a big thumbs up for attitude and energy.  She works the social networks like a trooper and responds to almost any positive comment passed on to her and that alone takes an enormous amount of time.  Talent-wise, she has a voice and uses it well and writes as well as she sings.  To give you an idea, here is a video she posted a few months ago which catches her in an Enya-style mood.  Very impressive.  No, Celtic is not all she does.  In fact, she is all over the map, but it is a delightful map.  Here she is singing a song from her latest album, Love & Gravity.  You can thank me after listening.  In the meantime, I will be thanking Brian, who is also working on an album.  Or so he says.

With the Midwest and East coast in deep freeze, the warmth has to come from somewhere, so why not from Nashville’s own Kink Ador, whose run at the brass ring the past few years has been a rollercoaster ride.  In spite of personnel changes and deep probes by aliens, they have put out consistently impressive recordings.  My first exposure to them came by way of friend Joe Lee, who performed on the same stage (not at the same time) a few years ago and was impressed enough to send me a link to this video, saying that they were, indeed, the real deal.

After watching that vid, I joined the Kink Ador Fan Club and even got my secret decoder ring.  Four years later, here they are with a summer anthem of another color.  Wrap those blankets around you, you East Coasters, and think warm.  Good stuff.

Ollabelle‘s Glenn Patscha (certainly not a woman) has recently teamed up with two ladies to form a band they call The Big BrightFiona McBain is another leg of the tripod and Liz Tormes rounds out the trio.  Beautiful voices and great arrangements are what they are all about.  They do what they call “new wave nocturnes,” rearranged songs by the so-called new wave of bands from the eighties.  The album, in fact, is titled I Slept Through the 80s and is notable for the arrangements as well as the choice of songs.  Here they are doing a live version of Yazoo‘s Only You.

 

 

You’ve probably heard of Meg Hutchinson if not actually heard her.  Time for you to hear her if you haven’t, methinks.  She started out as far as I am concerned a folkie of worth but has recently (since signing with powerhouse indie Red House Records) blossomed into a strong, confident and well-rounded musician.  Her last album, The Living Side, was her best at the time of release (2010), but 2013’s Beyond That is a step into another dimension, the songs deeper, more emotional, more mature.  This is a search for self through music.  A solid A.

 

 

Allow me to continue singing the praises of Maxine Dunn, who records under the name Maxi Dunn.  This lady is quite unlike any other performer I’ve heard the past few years, living somewhere in the realm which produced so many female singers of the past— Petula Clark, Sandie Shaw, Cilla Black.  Her real strength besides her songs, which are sometimes off-the-charts good, are her arrangements, vocally and instrumentally.  Part of the credit for that can go to fellow musician Peter Hackett who has a real flair for numerous instruments, but most is Dunn’s.  Last year’s Edmund & Leo entrenched itself solidly in my Top Ten early in the year and refused to be replaced.  Here is Dragonfly from that album.  Seriously, listen to the production and arrangement on this.  They are exceptional.

 

 

Lisbee Stainton seems to be one of those musicians from the UK who somehow gets lost in the shuffle, not unlike Ireland’s The Minnows.  Unique, impressive, and with exceptional voice, she has made great inroads in home country England but just cannot seem to gain a toehold in the US of A.  I blame it on Miley Cyrus and Katy Perry, but then I blame everything on them.  Oh, and Justin Bieber.  Can’t leave him out.  Here’s the thing, though.  Lisbee has put out four good to exceptional albums and has little to show for it in North America.  Time for the US and Canada to take the earmuffs off— well, after the winter season, anyway.  Here she does a live performance of a song from the excellent Word Games album (2013).  Listen closely.  She won’t be a secret long.

 

 

There’s this dude in Portland, Oregon, one Ben Darwish, who came up with this futuristic story of the past— a story of drought and the struggle to find potable water in what seems to be a dying world— which he calls The Clear Blue Pearl.  Consider it theater of the mind music.  The vocal core of the band (Morning Ritual) is Darwish and The Shook Twins, two Pac NW girls who are turning some heads.  This is a track from the opus, performed live by Oregon Public Broadcasting.  They have performed the entire album live.  I am sorry to have missed it.  And, yes, the Shooks perform on their own as a duo and in combinations with other bands.  As a fellow Oregonian, I can’t help but have a little pride in them.

 

 

I’ve said it many times.  Rita Hosking is a musical treasure.  She comes from mining stock (meaning her ancestors were miners) and has a grasp of the past that she weaves into some of her music that is quite disarming.  Bluegrass, folk, country, pop— she does it all.  Here she is performing a song from her latest mini-LP, Little BoatParting Glass— a song I have come to love almost as much as a song she recorded earlier, The Coyote.  Remember, this is live, folks.  No overdubs, no bells and whistles.

 

 

The Abramson Singers— How I missed this British Columbia collective, I don’t know, but I somehow did.  Fool’s Gold I had heard through a site promoting Canada’s Lilith Fair tour a couple of years ago, but I could find little else on the Net.  Well, it’s there now, and I’m telling you you should take a listen.  Not only is Leah Abramson unique in voice, she has a real sense of song quite different than others I have heard.  This is beautiful stuff.  Two albums and a single from an earlier solo album.  Listen to them all.  Maybe, as my friends sometimes tell me, I am easily impressed, but I am really impressed.  ReallyYou can listen to the albums and single here, and if you prefer, here is a video of a song from their latest, Late Riser.

 

 

Sometimes I think it’s time to turn it all over to the kids.  When the kids are as talented as Paige Anderson & The Fearless Kin, I don’t think that would be bad at all.  Here is the video which turned me onto them, passed along courtesy of the aforementioned Rita Hosking.  There is one whole lotta talent in Grass Valley, it appears.  I especially love the end where the kids smile, knowing that they just nailed the vocals.  Makes me chuckle every time.

 

 

Women in music, indeed.  I am finding that I am more and more an equal opportunity listener, but I do have a special feeling for what women are doing these days.  Their time is fast approaching, not only in music but everywhere.  Time for us men to step aside and give credit where credit is due.  They have surely come a long way, baby, and they ain’t done yet.  Check back in a year and I’ll have Part Three ready for you.

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TOXIC MELONS-Bus Therapy

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 26, 2014 by TheManicBlogger

tm12So, the story goes that Paul Fairbairn, Pablo Melons himself, was taking a lengthy bus trip and became so inspired, that he  the he got the idea for the entire album right there and then. Why not? George Harrison was said to have written “Blue Jay Way” on a plane!

I first encountered Toxic Melons in May, 2013, and my love affair with their quirky U.K. sound continues with the new release, Bus Therapy, which I was fortunate to get pre-release.

The album opens with “More Or Less“, showcasing way cool  piano and organ, a great melody and super harmonies. The song could be on any XTC album. “Journey“, an instrumental, has a dynamite musical melody that sits under  electronic effects to create a Close Encounters feel. The acoustic guitar of “Let Me Sleep” is reminiscent of early Bowie, and fits perfectly among the weird keys that create a circus tm13atmosphere.  Interesting melody, sweet harmonies and a precise and tight guitar solo. “Disco Balls“, an amazing satire of the genre, nails it, with a great disco beat, cool changes and transitions, and  great electronic effects. The cowboy sentiments of “Just One Beer“, captured by the saloon style piano, hide just below a sweet melody, nice harmonies and cool guitar riffs and runs. “Getting Old“, with its melancholic melody, delivers dynamite strings and horns, great transitions, and a cool bridge. I can’t help liking the vocal track. “Take Me Back” is beautifully melodic, with harmonized vocals that rival The Beach Boys’ Pet Sounds. That good! The track kills, with amazing flute and acoustic guitar, and wonderful arrangements. I am particularly fond of the vocals being the primary instrument here. Surprisingly, I have 2 favorite tracks. The wonderfully fabulous melody and sweet harmonies, combined with some way cool piano,  and lyric- “was a need to change the world before her lifetime expired; no complicated reason, just the way she was wired”- had me asking why “Change The World” hasn’t been on a Nilsson album. “Not In Love” has a great pop melody and  lush harmonies. The guitar and piano are dynamite, and I really dig the guitar runs. The bridge is perfect. Great pop song!

tm11Bus Therapy is my kind of therapy. Truly inspiring, soul touching, and mind altering. The album plays like a journey through a toxic mind, but that’s ok. The songs are pop heaven, with shades of folk, blues, electronic, and some western influences. This Paul Fairbairn can write songs. The melodies are out of this world, and the harmonies, well, remind me of The Beach Boys. The music is wonderfully eccentric.The album is insanely addictive. It has me singing along and I haven’t figured out all of the lyrics yet!  An amazing compilation of great songs that has been placed on my must have list. Very cool.

Check out Toxic Melons and help this band:https://www.kickstarter.com/projects/11591364/toxic-melons-bus-therapy-kick-starter-campaign

 

 

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YOUNG RUNNING-Coming Home

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 6, 2013 by TheManicBlogger

YR2I truly enjoy receiving unsolicited music. Usually the best music I will be hearing in any given week. This turned out to be true again, when a friend of Toronto band, Young Running sent me the band’s new EP release, Coming Home.

The title track, opens with acoustic guitar and vocals and sets the tone for the rest of the album. There is a great melody, and wonderful transitions. Great song! “Oh My“, a roots/folk song, gives us some very cool guitar picking, brushes on the drums, and a nice bridge.  “Quiver Of Smoke“, with its more upbeat tempo, has an early Blue YR1Rodeo feel, a sort of cowboy-country-pop thing going on. There are great harmonies, wonderful transitions, and a very catchy musical hook. The vocals are remarkable. I am not sure, but I think I heard a washboard. The harmonies of “Rise Up“, give it an almost dirge feeling. The melody is amazing as it rides across some very solid drumming. There is a very nice tempo change and isolated vocals and drums in the final verse.  “Waiting For You” is a roots song, with banjo and, really, is that a washboard? The bass line is great and the drums, well, you need to listen for yourself. This is Canadiana, with lyrical reference to Winnipeg and Thunder Bay. Yes Thunder Bay!

yr3Young Running are a Canadian folk-alt country-roots band. Their music is simplistic yet the songs are wonderfully crafted. Their sound is unique and original, something like Blue Rodeo meets Murray McLaughlin meets Ian Tyson. It is pure Canadian roots music. There are no electric guitars here, and they are not missed. The vocals are amazingly soothing and Liam Kearny‘s songs are masterful. Not surprising as The Beatles and The Beach Boys are cited as influences. The strength of this band is in the songs, in their ability to tell a story. This is an album you should listen to, more than once. It is fun and wonderfully executed. Look out for these guys.

You can hear Young Running at this link:        http://youngrunning.bandcamp.com/

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RTDS

Radio That Doesn’t Suck. All The Time.