Archive for geddy lee

PETER MURRAY-On Druckfarben, And More

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 14, 2014 by TheManicBlogger

pm4I set out to do an interview on the progressive-rock band, Druckfarben. As I sat down with Peter Murray, bassist, I instead found myself immersed in his story. Not a bad afternoon at all.

We began by comparing notes about progressive-rock bands, from Yes, King Crimson, and Flash, to Rush and Kansas. We taked about Gentle Giant. We talked about music. We discussed the lack of airplay progressive-rock received in the 1980s and 1990s and how it could be considered underground. We talked.

Peter is an easy interview. Ask a question and he will talk. He has stories to tell. Stories from his days with Surrender Dorothy and the major label deal; stories of his singer/songwriter solo album; stories of his pm3learning the bass line to Yes’ Close To The Edge, for the first Druckfarben gig . He is animated, and energetic. He has strong opinions on music, and the music industry. He is a musician, but foremost, he is a music fan. His interests cross all genres. If it is good, Peter appreciates and enjoys it.

We discussed The Beatles influence on progressive-rock, and queried whether Sgt. Pepper could have been the 1st progressive-rock album. As Peter sees it, progressive-rock is not so much a genre of music, pm5but an attitude. An attitude that encourages experimentation. An attitude to do something that is not usually done. An attitude that impacts not only the song writing, but the instrumentation and arrangements as well.

We delved into bass players, and I asked about his favorite. In true Peter Murray style, he couldn’t or wouldn’t identify one. Instead, names started swirling around the table: Chris Squire, Geddy Lee, Mark King, Robbie Shakespeare, Stanley Clarke, to name a few. Paul McCartney came up, and it was agreed that he is perhaps the most under rated bassist around. It was here that I saw the true passion for music in this man. He told a story of how, as a writer for Bass Player magazine, he traveled to England to interview Colin Moulding and Mark King. With his face ‘lit up’, he spoke of spending an afternoon at Moulding’s farm house, drinking tea, and listening to the as yet unreleased ‘Apple Venus’.  Very cool.

pm6We talked about Druckfarben, which grew out of  Classic Album’s Live. All of the band members have a love for progressive-rock. They enjoy playing and performing. Peter looks like a man who is having the time of his life. Bassist, song writer, teacher, author,  producer. This is an accomplished man, a Renaissance man, who shows no signs of slowing down.  Despite his impressive resume, there was no name dropping. An incredibly talented guy, who is kind, humble, and grateful.  Peter Murray is simply, a nice guy. A nice guy who just loves music. Hard not to like him.

 

icbme2

https://icantbelievemyearz.wordpress.com/2013/05/28/review-archives/

https://www.facebook.com/ICantBelieveMyEarz

twitter

@cntblievemyearz

 

 

 

 

ALYEUS-Forty Days At Sea

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 16, 2014 by TheManicBlogger

alyeus3I have always been a fan of progressive rock. Most of my 20s were spent listening to Yes, King Crimson, Pink Floyd, and Flash. My interest in the resurgence of progressive rock bands currently releasing material in Canada, is piqued every time I discover a new one. Alyeus (pronounced Ah-lie-us), another London, On band, released their 12 track debut album, Forty Days At Sea, in September, 2013. As part of a 3 album project, the first release is actually the middle piece of the opus. Only a prog-rock band could make sense in that. Citing Pink Floyd, Dream Theatre, and Black Sabbath among their influences, these guys have a unique take on the genre.

The ambient, atmospheric rock that filled arenas in the 1970s, wafts through this album on waves of hard rock. Forty Days At Sea is filled with wonderful changes and transitions. There are beautiful harmonies, particularly the operatic sounds on “VII“. The guitars are amazing, playing hard alyeus2rock riffs over progressive instrumentation. The riff in “Triton’s Horn” is reminiscent of Steve Howe, while the power chords convey the energy of this band. There are cool effects, and some amazing bass on “The Chambers” and “The Keeper“. The vocals are cool, laying somewhere between Geddy Lee and Jon Anderson, and the drumming is spectacular throughout.  The music is incredibly melodic, with wonderful themes woven in. There are way cool tempo and time signature changes.The use of instrumentals throughout the album, serves to set the mood for the next theme. Pay particular attention to “Dreaming In Waves“, and “Elysium“, which evokes shades of Yes’ Tales From Topographic Oceans. The coolest song on the album, “Forty Days At Sea“, is a great song in any genre.

alyeus1Alyeus delivers an exceptional concept album with themes that are dark and disturbing, and music that is hauntingly melodic. This is an album that should be listened to in its entirety, from beginning to end at one sitting. If you like progressive rock, and musical themes, you owe it to yourself to check these guys out. Finally, a band that brings back the way cool concept album. You can listen to and purchase Forty Days At Sea here.

newlogo

https://icantbelievemyearz.wordpress.com/2013/05/28/review-archives/

follow us on twitter:

@cntblievemyearz