Archive for lyric

The Cool Whips-‘baddies’

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on May 28, 2017 by TheManicBlogger

 

Its been about a week since i received a copy of The Cool Whips new album ‘baddies‘. I have been listening to it non stop. Everywhere I have been, I have been listening to this Portland, Oregon band’s follow up to their 2014 release,  ‘goodies‘. I have played it for family, friends, ex band mates, and music loving neighbors, because its that good! 12 1960’s  pop songs that excite and entertain. The album flows with unforgettable melodies, sweet harmonies, and seamless changes. The songs deliver wonderful riffs, and the prominent use of organ is brilliant. I hear shades of The Hollies, The Zombies, and The Beatles, and there are 2 tracks that could be in the dance scenes of any Frankie & Annette movie. The lyrics are clever, with gems like “hasn’t had much cool since he cut off his shag” just one of the reasons  ‘My Old Man Is A Drag‘, and the arrangements are complex in their simplicity. A wonderfully stylish album that delivers an exceptionally good time. Favorite tracks: ‘Inside Outsider‘, ‘Liberace’s Lamp‘, and ‘There Must Have Been Sugar On It‘. You should check out ‘baddies‘  and if you haven’t, its probably time to check out ‘goodies‘ as well.

 

 

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THE BLANK TAPES-Geodesic Dome Piece

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 19, 2015 by TheManicBlogger

blanktapes1California’s The Blank Tapes released ‘Geodesic Dome Piece‘ in January 2015 with 12 tracks of 1960’s pop that sounds like it stepped out of another dimension. Sort of Paul Revere & The Raiders meet The Twilight Zone! The sound is infectious.  From the opening chords of “Way Too Stoned“, with its ethereal,  dream like vibe, I was taken away by 60’s pop melodies, great harmonies, cool effects, and insanely exciting riffs (check out “For Breakfast” and “Buff“). There are wonderful changes, particularly in “Brown Chicken Brown Cow“, and way cool mandolin on “To Your Dome Piece“. The album is filled with surprises, including wonderful guitar and saxophone solos on “Slippin’ Slide“, and a jangly surf-pop vibe to “Oh My Muzak“. Favorite track “Do You Wanna Get High“, with its dynamite pop chorus, an amazing change in key, and lyrics that include ‘do you wanna get high, just like Chucky and me, cause we’re likely to be all the time’.

 

 

 

bt1I could listen to this for days on end, and have spent the better part of 2 weeks digesting the entire The Blanks Tape catalog. The songs make me feel like I did in 1969. The album is wonderfully arranged and produced. The vocals are wonderful, and the lyrics, sardonic and witty. There is an acoustic demo version of “Do You Wanna Get High” as a bonus, and “To Your Dome Piece” is worth a few listens just for the lyrical phrasing.. This is one of those must have albums. The kind that you have to have in your collection, just because it was done. Bizarro-garage-psychedelic-stoner-surf-pop at its best.

 

Check out The Blank Tapes catalog at http://theblanktapes.bandcamp.com/ and visit and LIKE their facebook page: https://www.facebook.com/blanktapes

 

 

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TOXIC MELONS-Bus Therapy

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 26, 2014 by TheManicBlogger

tm12So, the story goes that Paul Fairbairn, Pablo Melons himself, was taking a lengthy bus trip and became so inspired, that he  the he got the idea for the entire album right there and then. Why not? George Harrison was said to have written “Blue Jay Way” on a plane!

I first encountered Toxic Melons in May, 2013, and my love affair with their quirky U.K. sound continues with the new release, Bus Therapy, which I was fortunate to get pre-release.

The album opens with “More Or Less“, showcasing way cool  piano and organ, a great melody and super harmonies. The song could be on any XTC album. “Journey“, an instrumental, has a dynamite musical melody that sits under  electronic effects to create a Close Encounters feel. The acoustic guitar of “Let Me Sleep” is reminiscent of early Bowie, and fits perfectly among the weird keys that create a circus tm13atmosphere.  Interesting melody, sweet harmonies and a precise and tight guitar solo. “Disco Balls“, an amazing satire of the genre, nails it, with a great disco beat, cool changes and transitions, and  great electronic effects. The cowboy sentiments of “Just One Beer“, captured by the saloon style piano, hide just below a sweet melody, nice harmonies and cool guitar riffs and runs. “Getting Old“, with its melancholic melody, delivers dynamite strings and horns, great transitions, and a cool bridge. I can’t help liking the vocal track. “Take Me Back” is beautifully melodic, with harmonized vocals that rival The Beach Boys’ Pet Sounds. That good! The track kills, with amazing flute and acoustic guitar, and wonderful arrangements. I am particularly fond of the vocals being the primary instrument here. Surprisingly, I have 2 favorite tracks. The wonderfully fabulous melody and sweet harmonies, combined with some way cool piano,  and lyric- “was a need to change the world before her lifetime expired; no complicated reason, just the way she was wired”- had me asking why “Change The World” hasn’t been on a Nilsson album. “Not In Love” has a great pop melody and  lush harmonies. The guitar and piano are dynamite, and I really dig the guitar runs. The bridge is perfect. Great pop song!

tm11Bus Therapy is my kind of therapy. Truly inspiring, soul touching, and mind altering. The album plays like a journey through a toxic mind, but that’s ok. The songs are pop heaven, with shades of folk, blues, electronic, and some western influences. This Paul Fairbairn can write songs. The melodies are out of this world, and the harmonies, well, remind me of The Beach Boys. The music is wonderfully eccentric.The album is insanely addictive. It has me singing along and I haven’t figured out all of the lyrics yet!  An amazing compilation of great songs that has been placed on my must have list. Very cool.

Check out Toxic Melons and help this band:https://www.kickstarter.com/projects/11591364/toxic-melons-bus-therapy-kick-starter-campaign

 

 

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BONGO BOY RECORDS-The Singles

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 11, 2014 by TheManicBlogger

There seems to be a whack of incredibly cool music coming out of New Jersey, and Bongo Boy Records seem to have their hand on most of it. Aside from the 2013  Mark Lindsay release, Life Out Loud, and the Gar Francis EP, Shine On, this Indie label out of Belvidere, New Jersey has a truck load of singles that they are about to release on a “Singles” album. Being quite fond of Bongo Boy Monique and Garage Guru Gar-the coolest musician to come out of Jersey since Frank Sinatra– I agreed to listen and wax poetic about this soon to be released compilation.

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Jana Peri, the New York City rocker with power pop and punk influences, delivers a knock out tune with “Ballerina Of The Bowery“. Written by Gar Francis, the song has a great surf-pop groove, great harmonies and a wonderful bridge and chorus. The choppy guitar  rocks and the riff, subtly great. Terrific opening track on any album.

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I didn’t know who The Easy Outs were, but  the New Jersey rock-punk-garage band’s “Come On, Come On” is up there on my list of coolest songs I have heard lately. The track has a great 1960s feel, delivered through wonderful keys and an amazing melody. There are great horns, beautiful transitions, and a dynamite bass line. I can hear Gar Francis all over this song. The riff, clean and crisp, and the solo, as always, class, not flash. Consider this a hit.

 

gr2The wonderfully multi talented Genya Ravan contributes a Gar Francis song, “I Won’t Cry Anymore” with a powerful voice and a delivery that made me shiver.  This rock-blues tune reminds me of something that should be on Janis Joplin album, and hands out great choral harmonies in the bridge and a wonderfully R & B harmonized “whoo hoo hoo”. This woman can sing.  Powerful and pleasurable.

 

 

rk3I don’t know where he finds the time, but Rockids is another Gar Francis project. Originally formed in 1973 by Gar and Wayne Olivieri, this garage band recorded Eddie Cochran‘s “C’mon Everybody” in 2012. I love this song. I dig Rockids cover of it. The guitar layered underneath, the amazing Jerry Lee Lewis piano, and the great hook, deliver an incredible track. Might as well stand when you listen, ’cause it will get you dancing.

kcBorn Dainty“, a country-rock song, was written and produced by, you guessed it, Gar Francis. Recorded by New Jersey’s Kelly Caruso, daughter of The Doughboys bass player, Mike Caruso, this track offers some amazing banjo, cool drumming, and a great chorus. The transitions are wonderful and the guitar riff, great. Kelly delivers a wonderful vocal track. I wouldn’t be surprised to hear this song covered by Kelly Clarkson.

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The Swinging Iggies,  with one of the coolest band names around, offer up “Lady Gaga“. This New Jersey garage-rock band is another one of Gar Francis’ projects. The song,  humorous and up tempo, has a dynamite power start. There are great transitions and I dig the guitar riff. Great song. Still, what a wonderful name for a band.

gfrocketOne of the most meaningful songs I have ever heard, Gar Francis’ “Rocket” touches me. This heartfelt tribute to American soldiers, raises powerful emotions as an acoustic number. The vocals are something out of Bowie’s Hunky Dory, and this is not the first time I have made a Bowie reference about Gar. The beautifully played strings set the tone and mood amid the haunting melody. Wonderful lyric like, “rest my faith against my gun”, drive home the message. I like Gar Francis unplugged.

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New Jersey singer, songwriter Gigi, contributes one way cool tune. “Put Your Freakin’ Hands Up” a  pop-dance track, in the Carly Rae JepsenCall Me Maybe” style,  has a great guitar intro and some amazing double tracked vocals. The melody, pure pop and the guitar riff in the bridge/chorus, wonderfully cool. The minimized instrumentation during the verses highlights the vocals that come with some great effects. Wonderful song with an incredible hook.

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Plainfield Slim, Gar Francis’ alter ego, offers 2 blues tunes. “Dirty Girl” has wonderful southern blues-rock guitar and sweet, double time drumming. The slide guitar rocks within a cool vocal track and nice harmonies. I swear I hear a train in there. “Let Go My Hand“, delivers a wonderful blues riff and a great rock beat. I love the guitar solo and the muted effect to the entire track. Jersey blues are way cool.

mark-lindsay_life-out-loudMy choice for coolest song of the year, “Merry Go Round (Christian’s Song)” by Mark Lindsay is a definite bonus. What can I say about this song that I haven’t said in my review of the Life Out Loud album? Way cool 60s organ, great harmonies, exciting guitar, wonderful changes, and I really dig the “less is more” drumming style. The vocals rock, the melody, dynamite and well, this is my favorite Mark Lindsay song since “Kicks“. Coolest song of the year for sure.

Well, there you have it. The Bongo Boy Records singles compilation. The genres are varied, with something to please everyone.  11 tracks destined to amaze and entertain. This album will rock you, and  it will surprise you. An amazingly eclectic collection of songs by incredibly talented artists. I would liked to have seen Gar Francis’ “Back In 1985”  included on this record.  Check it out for yourself and see what’s really going on in New Jersey. Its not just Snooki and The Sopranos. A must have for every collection.

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Check out all of Bongo Boy Records artists:  http://www.bongoboyrecords.com

JANN KLOSE-Mosaic

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 22, 2013 by TheManicBlogger

jk2Well. Well. Well. I have listened to Mosaic, the latest album by Jann Klose, for the third time.  At first I was not sure what to make of it.  It simply defies genre.  The album is off the beaten path, and as eclectic as any I have heard. The reggae beat of “Make It Better“, the Irish folk ballad style of “On & On“, the Calypso influence of “Four Leaf Clover“, and the southern Roots feel of “Beautiful One“, make this a true mosaic of music.

Jann Klose writes songs with beautiful melodies, and wonderful changes and transitions. His lyrics speak of love, and love lost. The instrumentation, as diverse as his musical stylings includes great 1960’s organ, maracas, violin, flute and oboe, and I think I heard an accordion and some vibes, and electric piano. The arrangements are flawless, with beautifully woven harmonies. And, I find, Jann does not end songs. Somehow he leaves them hanging there after they stop. Very cool. Yes, this guy can write.

jk3Not just another singer/songwriter, this German now living in New York, comes from the same mold as Scott Walker and Tim Buckley.  Jann Klose is a story teller. An artist who paints with music and words. His vocals are outstanding, powerful, yet filled with emotional fragility. The acapella version of Tim Buckley’s “Song To The Siren“, devastatingly beautiful.

jk1My favorite song on the album, “Long Goodbye“, kills. This quintessential pop-rock song, contains everything: great melody, awesome guitar riffs and solo, powerful drumming, amazing vocals, and a way cool organ. Jann’s voice conveys so much emotion, one can feel his desperation.

I am not certain why this man is not a household name. The album, as exceptional as it is, throws more at you with each listen. It is timeless, as any good piece of music should be. Go listen to Mosaic now. Listen a few more times. Buy it. You will want to listen again, and again. Mosaic is that good.

You can listen to Mosaic:  http://jannklose.com/audio/mosaic/

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GAR FRANCIS-Shine On

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on December 6, 2013 by TheManicBlogger

gf1Over a year after its release, I was fortunate enough to get a copy of the Gar Francis EP, Shine On forwarded to me by New Jersey indie label, Bongo Boy Records. With reckless abandon, and much anticipation, I sat back, strapped myself in, and turned up the volume.

The title track, “Shine On“, both rhythmic and haunting, contains elements of psychadelica and Jersey garage rock. Gar’s vocals, somewhere between Tom Waits and Bowie, are perfectly gritty and raw. The guitar riff is way cool, the lead solo is wonderfully 1960’s, and the hook, unforgettable. “1985“, a prototypical Asbury Park anthem, delivers more outstanding vocals and a way cool harmonica part. The melody rocks, and I swear I hear some Joe Strummer woven into the fabric of the music. There is perfectly placed guitar picking, and the song has a great 60s garage rock feel to it. With some of the coolest lyric I have heard in a very long time, “Was I off somewhere, or just too high? Did I miss the signs, hiding there in your eyes? Back in 1985?”, this song kills.  The rhythm and blues tune, “Blue Cadillac“, shines with a sound that at times reminds me of Southside Johnny And The Asbury Jukes. A wonderful track, complete with twangy guitars. The great guitar riff and harmonies of “Tragedy” drives this incredible song through the  wonderful Beatlesque chorus. The album closes with “I’m Still Alive“, a great rock song with a punk edge.

gf2Shine On never lets up. It rocks from start to finish, grabbing you by the throat with the very first note, and never letting go. The songs are exceptional.  Each one superbly crafted, and played with passion and grit. And why not? It’s what Gar does!  To nail the sound, Gar recruited the rhythm section of The Doughboys for this album.  How cool is that?

The work is filled with 1960’s references, smoothly blended into East Coast garage rock. There is cool, and there is Gar Francis cool. Shine On is Gar Francis, being Gar Francis. And that is cool. Way cool. Gar Francis cool.

You can check out Shine On and all of Gar’s music at: http://www.garfrancis.com/ or:  http://www.bongoboyrecords.com/

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SWILLBILLY HEROES-The Lamentable Tragedy Of The…

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 7, 2013 by TheManicBlogger

sh1I don’t know where the guys at Get Bent Records find these bands, but the Swillbilly Heroes have just released their debut album, The Lamentable Tragedy Of The…. This Toronto band refers to their music as Alternative Country/Rock but I hear so much more. The 9 tracks share country influences with rock, southern rock, pop and blues.

sh2The opening track, “Big Red Ford“, has a nice melody with great transitions and an incredible fullness. The slide guitar and guitar solo remain true to country, but this song rocks. “All The Ghosts You Exorcise” has a slower tempo, a great bridge, and a very cool acoustic guitar solo.  The distant harmonies meshed with keys that make me think accordion, give this song a wonderfully airy feel. The echo effect vocals of “Lucky Mind” add to the uniqueness of this track which includes wonderfully placed stops and starts, a beautiful acoustic guitar solo, and bells which provide a perfect backdrop for the melancholy mood. “Swillbilly Heroes” begins softly and then cracks open with slide guitar, cool offbeat drumming, and a nice guitar “twang” throughout. The dual guitars are reminiscent of The Allman Brothers. Lyric like “love me forever, love me to death” add to the dark beauty of the song.  “Bent On Battered Days”  a rock song, with a great bass line has great effects and psych-rock guitar. Love the cool isolation on the drums, amazing guitar solo and a melody that never quits.. The driving rocker, “Tear It Up” comes with  great bass work, guitar effects, spectacular vocal harmonies and a clean, crisp guitar solo. “‘Til You Broke Some Bones” begins with a drum solo. The melody framed by faint harmonies, and the countrified guitar solo emphasizes an amazing sh3transition to the bridge. “Chlorhexidine Dreams“, a moody tune, is played without drums and bass. The acoustic guitar strumming and the electric guitar lead are accompanied only by chimes and the brooding vocals, within a very haunting melody. My favorite track, “Shipwreck” has great effects and a rockin’ guitar solo.  Driven by the rhythm section, quieter at the verses it fills in at the chorus. The incredible melody cradles brilliant lyric such as “you haven’t lived until you’ve tried, you haven’t lived until you’ve died”, all within a song that could very well be an amazing arena rock song. Just need some dry ice and strobe lights. A song I really want to see live. An amazingly beautiful track with a spectacular ending and shades of Blue Rodeo.

gb1The Lamentable Tragedy Of The… is far from tragic. Great songs with amazing melodies that are simple and complex at the same time, layered within sounds that fill the senses.  Franco Care has an amazing voice, deep, dark, and dynamic. The band is tight and incredibly talented. I was surprised at first to see Abel Renton‘s name as guitarist in the credits. He is also the guitarist for The Micronite Filters. But then I remembered that this is, after all, Get Bent Records. And a killer album.  Epic fun.  Epic cool. Epic Music.

You can listen to this album here:    http://swillbillyheroes.bandcamp.com/album/the-lamentable-tragedy-of-the

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