Archive for song

MEASURED IN HEADS-Revelations From The Gifted

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 17, 2015 by TheManicBlogger

MIHI had the opportunity to preview Measured In Heads about to be released album, Revelations From The Gifted. A wonderfully take on Electro-pop, this Middlebury, Vermont duo, delivers a sound that is best described as avant garde electro-soul. Original & unique, the album is filled with thought provoking lyric, and wonderfully touching music. I heard some great organ, way cool effects, and sweet piano. The vocals and harmonies are dynamite, and the guitar is brilliantly understated. There are cool changes & transitions, which help to create mood and atmosphere. This is music for the heart & the mind! This is one of those albums that you just let play. It is mind blowing! There are an incredible MIH2amount of things going on amid the wonderful melody lines, delivered by an exceptional voice. Measured in Heads delivers the goods while doing the unexpected, and the unconventional.  Listening to this album, I can;t help but feel that I am hearing existence as expressed in song. You have to get this! An album people will hear and ask you “Who is that?”! Favorite tracks ‘Artio‘ and ‘Vignette‘. Check them out on their facebook page, and look for the album on December 1, 2015.

 

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BONGO BOY RECORDS-The Singles

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 11, 2014 by TheManicBlogger

There seems to be a whack of incredibly cool music coming out of New Jersey, and Bongo Boy Records seem to have their hand on most of it. Aside from the 2013  Mark Lindsay release, Life Out Loud, and the Gar Francis EP, Shine On, this Indie label out of Belvidere, New Jersey has a truck load of singles that they are about to release on a “Singles” album. Being quite fond of Bongo Boy Monique and Garage Guru Gar-the coolest musician to come out of Jersey since Frank Sinatra– I agreed to listen and wax poetic about this soon to be released compilation.

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Jana Peri, the New York City rocker with power pop and punk influences, delivers a knock out tune with “Ballerina Of The Bowery“. Written by Gar Francis, the song has a great surf-pop groove, great harmonies and a wonderful bridge and chorus. The choppy guitar  rocks and the riff, subtly great. Terrific opening track on any album.

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I didn’t know who The Easy Outs were, but  the New Jersey rock-punk-garage band’s “Come On, Come On” is up there on my list of coolest songs I have heard lately. The track has a great 1960s feel, delivered through wonderful keys and an amazing melody. There are great horns, beautiful transitions, and a dynamite bass line. I can hear Gar Francis all over this song. The riff, clean and crisp, and the solo, as always, class, not flash. Consider this a hit.

 

gr2The wonderfully multi talented Genya Ravan contributes a Gar Francis song, “I Won’t Cry Anymore” with a powerful voice and a delivery that made me shiver.  This rock-blues tune reminds me of something that should be on Janis Joplin album, and hands out great choral harmonies in the bridge and a wonderfully R & B harmonized “whoo hoo hoo”. This woman can sing.  Powerful and pleasurable.

 

 

rk3I don’t know where he finds the time, but Rockids is another Gar Francis project. Originally formed in 1973 by Gar and Wayne Olivieri, this garage band recorded Eddie Cochran‘s “C’mon Everybody” in 2012. I love this song. I dig Rockids cover of it. The guitar layered underneath, the amazing Jerry Lee Lewis piano, and the great hook, deliver an incredible track. Might as well stand when you listen, ’cause it will get you dancing.

kcBorn Dainty“, a country-rock song, was written and produced by, you guessed it, Gar Francis. Recorded by New Jersey’s Kelly Caruso, daughter of The Doughboys bass player, Mike Caruso, this track offers some amazing banjo, cool drumming, and a great chorus. The transitions are wonderful and the guitar riff, great. Kelly delivers a wonderful vocal track. I wouldn’t be surprised to hear this song covered by Kelly Clarkson.

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The Swinging Iggies,  with one of the coolest band names around, offer up “Lady Gaga“. This New Jersey garage-rock band is another one of Gar Francis’ projects. The song,  humorous and up tempo, has a dynamite power start. There are great transitions and I dig the guitar riff. Great song. Still, what a wonderful name for a band.

gfrocketOne of the most meaningful songs I have ever heard, Gar Francis’ “Rocket” touches me. This heartfelt tribute to American soldiers, raises powerful emotions as an acoustic number. The vocals are something out of Bowie’s Hunky Dory, and this is not the first time I have made a Bowie reference about Gar. The beautifully played strings set the tone and mood amid the haunting melody. Wonderful lyric like, “rest my faith against my gun”, drive home the message. I like Gar Francis unplugged.

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New Jersey singer, songwriter Gigi, contributes one way cool tune. “Put Your Freakin’ Hands Up” a  pop-dance track, in the Carly Rae JepsenCall Me Maybe” style,  has a great guitar intro and some amazing double tracked vocals. The melody, pure pop and the guitar riff in the bridge/chorus, wonderfully cool. The minimized instrumentation during the verses highlights the vocals that come with some great effects. Wonderful song with an incredible hook.

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Plainfield Slim, Gar Francis’ alter ego, offers 2 blues tunes. “Dirty Girl” has wonderful southern blues-rock guitar and sweet, double time drumming. The slide guitar rocks within a cool vocal track and nice harmonies. I swear I hear a train in there. “Let Go My Hand“, delivers a wonderful blues riff and a great rock beat. I love the guitar solo and the muted effect to the entire track. Jersey blues are way cool.

mark-lindsay_life-out-loudMy choice for coolest song of the year, “Merry Go Round (Christian’s Song)” by Mark Lindsay is a definite bonus. What can I say about this song that I haven’t said in my review of the Life Out Loud album? Way cool 60s organ, great harmonies, exciting guitar, wonderful changes, and I really dig the “less is more” drumming style. The vocals rock, the melody, dynamite and well, this is my favorite Mark Lindsay song since “Kicks“. Coolest song of the year for sure.

Well, there you have it. The Bongo Boy Records singles compilation. The genres are varied, with something to please everyone.  11 tracks destined to amaze and entertain. This album will rock you, and  it will surprise you. An amazingly eclectic collection of songs by incredibly talented artists. I would liked to have seen Gar Francis’ “Back In 1985”  included on this record.  Check it out for yourself and see what’s really going on in New Jersey. Its not just Snooki and The Sopranos. A must have for every collection.

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THE SONG REMAINS THE SAME…

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 24, 2013 by TheManicBlogger

I had spent the better part of a day with a friend, who is certain that Led Zeppelin sits at the right hand of God, discussing music. As his attempts to throw me off my Beatle wagon fell on deaf ears, he resorted to idiocy and asshat-ery. His premise became threaded with examples of Beatle thievery; stealing songs from others and claiming them as their own.  I decided to do some checking into the prevalence of plagiarism in popular music. The findings may surprise you.

george1john1Yes indeed,  George Harrison was found guilty of plagarism.  “My Sweet Lord” was ruled a case of subconscious theft of The ChiffonsHe’s So Fine“.  It cost him a little of $500,000,00 and 75% of the song;s North American sales.  John Lennon‘s “Come Together” was ruled to have plagarized Chuck Berry‘s “You Can’t Catch Me“. Lennon agreed to record 3 more of the writer’s songs as a settlement. Well, John only recorded 2 and the writer sued him. Lennon was ordered to pay $7000.00.

The Doors have been accused of lifting “Hello, I Love You” from The KinksAll Day And All Of The Night“. Staunchly denied by Doors guitarist, Robby Krieger who said that The Doors did lift the drum beat of the song from Cream‘s   Sunshine Of Your Love“.  Johnny Cash‘s “Folsom Prison Blues” is an almost carbon copy of Gordon Jenkins‘ “Crescent City Blues“, which was penned 2 years before Cash wrote his bbsong.  Johnny Cash paid Jenkins about $75,000.00. The Beach Boys‘ “Surfin’ USA” can actually be sung to the Chuck Berry tune “Sweet Little Sixteen“. Brian Wilson admitted to ripping off the melody and Chuck Berry was given co-authorship of the song and a portion of the royalties.

The Rubinoos

The Rubinoos

Other notable mentions include Ray Parker Jr;, writing “Ghostbusters” after stealing the melody from Huey Lewis‘  “I Want A New Drug“; The Oasis song “Whatever” was lifted from Neil Innes‘ “How Sweet To Be An Idiot“; The Rubinoos song   “I Wanna Be Your Boyfriend” was reworked into Avril Lavigne‘s hit “Girlfriend“. And The Rolling Stones‘ “Anybody Seen My Baby?”, lifted from k.d. lang & Ben Mink‘s “Constant Craving” was resolved by giving lang & Mink writing credit. Interesting, but not what I was looking for.

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Spirit

Spirit

I had already known that Led Zepplin had ripped off Spirit‘s 1968 song “Taurus” and used it in “Stairway To Heaven” and that Spirit had toured with Led Zepplin in  1969. But there had to be more. And then I found it. An extensive list of Zep-pilfering. “Black Mountain Side“, appearing on the 1st Led Zeppelin album is a traditional English folk song that appears on Bert Jansch‘s 1966 album, Jack Orion as “Blackwaterside“, yet it is credited on the Zeppelin album as a Jimmy Page composition. Pretty slick!!  The same Zepnique was used again on “Babe I’m Gonna Leave You“, written in the 1950s by Anne Bredon (covered by Joan Baez in the 1960s) and credited by Zeppelin as “trad.,arr. Page”. In the 1990s it was changed to give Bredon credit for writing the song. The Led Zeppelin III song, ” Since I’ve Been Loving You” features lyrics taken from the  Moby Grape song “Never“. Is it coincidental that Moby Grape was one of Plant’s favorite bands? HA!

Bobby Parker

Bobby Parker

The guitar riff in “Moby Dick” is a nearly note for note rip-off of Bobby Parker‘s 1961 single, “Watch Your Step“. Jimmy Page was a Parker fan and at one time tried to sign him to Swan Song Records. “In My Time Of Dying“, a traditional blues song that has been recorded by many musicians since the early 1960s, was credited as being written by “Page, Plant, John Paul Jones, John Bonham”.  Great Zepnique. Again. Off of Zeppelin II, “The Lemon Song” borrows heavily from the Howlin’ Wolf song, “Killing Floor“. Credits again attribute the song to Page, Plant, Jones and Bonham. Another Zeppelin II song, “Bring It On Home” was written by Willie Dixon. However Willie Dixon was not given writing credit and Led Zeppelin was sued for copyright infringement. The case was settled out of court.

Jake Holmes

Jake Holmes

Whole Lotta Love“, again from Zeppelin II and the band’s 1st hit single, is not an original composition as the album credits originally claimed. The lyrics were taken from Willie Dixon’s “You Need Love” and this was settled out of court. Released on Zeppelin’s 1st album, “Dazed And Confused” was originally credited as being written by Jimmy Page. However, this is not the case. It was originally written by folk singer Jake Holmes who opened for The Yardbirds while Page was a member. Page arranged a version of it for The Yardbirds but he didn’t record a studio version until 1969 with Led Zeppelin. HA!

So there it is. There are many other cases of plagiarism in music, far too many to mention. This is not intended to slam Led Zeppelin but rather to ask my pal, Mr. K. is Led Zeppelin really a farce as implied on Howard Stern  or just the greatest cover band in music history? In any event, there you have it, my friend. Thievery, pilfering, song snatching, whatever you wish to call it, seems to run rampant on the Zeppelin. Should we start to question if the Zeppelin is actually theirs?

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