Archive for Spirit

THE DISGUISES

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 26, 2014 by TheManicBlogger

One of the coolest bands I have had the pleasure of listening to, The Disguises, have kept me waiting for a new album long enough. I am determined to write about this Kitchener, Ontario band even if it means going back to a debut album from 2009. The self titled release contains 13 tracks of pop perversion.

disguises1Hot Air Balloon” has a wonderfully, playful jazz theme overlayed with a pop melody. The vocals, keyboard, and changes are great. The cool pop harmonies highlight “The Brush Off“, and “Gossipy Chicks” is filled with amazing organ and some way cool psych-rock elements. “Blues On A Rainy Day” has a dynamite piano and guitar that can, at times, get lost in the amazing melody and harmonies, and I am certain I hear mandolin in the acoustic,almost jug band sound of “Jacob Eldermyer’s Bleeding Heart“. The showtune/jazz sensibilities of “Pick ‘N’ Reed” are fun, while “Four disguises2Letters For You” , offer Beach Boys like harmonies in a Spanish theme. I would really like to hear this with Spanish vocals! “Slow Down” offers a reggae song with a cool country-rock guitar solo dropped inside of it, and “In A Bind” has a wonderful pop melody, with interesting harmonies and great guitar. “The Dip” is an interesting, almost experimental track, with way cool instrumentation that moves into and out of rock ‘n’ roll with guitar effects and a great solo. Yes, “Funky Disco Cat‘ sounds like it should be a 1970’s disco song. It has a pop feel to it, with cool harmonies, a wonderful change in tempo, and power chords to remind us that this is a rock band. By the way, the synthesizer is perfect. “Animals“, a way cool trip to some psych-rock place, has great effects. My favorite track on the album,  “I Get Sick Without You” has a rock beat with a pop vocal melody line. The guitar is brilliant, with wonderful solos and riffs. A way cool track, that could have been on any Spirit album.

 

 

 

 

ggtwThe songs, written by George Guitierrez and Tyson Webb follow no format I know. Each is a well crafted work of art. Ecclectic, esoteric, and engaging. They incorporate several genres in their music, and make the complex seem simple. The album is filled with twists and turns, that surprise and excite. The album is fun. You can listen at Soundcloud, and even download it for free! A wonderful journey to places you have probably never been before.

 

 

 

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WHO WAS FIRST?

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 20, 2013 by TheManicBlogger

I haven’t been to a large venue concert in a long time. I refuse to pay several hundreds of dollars for a ticket and honestly, there is really no one that I want to see. It did however, start me thinking about the first concert I went to. Truth be told, I just can’t remember. I don’t know if it is the years of illicit substance use or age induced memory failure. Or a little of both.  Sadly, I just can’t remember!

BDGRSMBAnd so, writing about my first concert is clearly an impossible task. What about my most memorable concert? Well, there was Badfinger at the old O’Keefe Centre, Spirit at the old Victory Burlesque Theatre, Tommy James, The Band, The Grateful Dead, Clapton, Jethro Tull, Harrison, and a litany of others to choose from. What would make a concert the most memorable? Well, for starters, remembering it! And so the dilemma began. I remember generalities, but no details. I remember going to see Steve Miller. I remember it was just after the release of the Book Of Dreams album. I remember Norton Buffalo was the opening act, it was at Maple Leaf Gardens and that I ate a gram of gold Lebanese  about 30 minutes before show time. Well, now i know why i can’t remember anything else!

yesAnd so, the highlight reel in my head began playing, reviewing every concert I could remember attending. I saw Yes on at least 2 occasions.  The 1st tine was following the release of Close To The Edge. I remember almost nothing. The other was the Tales From Topographic Oceans tour. I remember sitting 4th row, floors at Maple Leaf gardens. Pretty sure we were on opium. I remember bright lights, dry ice, and Jon Anderson emerging from darkness about halfway through the introduction of the “The Revealing Science Of God“.

genesisI saw Genesis, not the And Then There Were Three version, but the real Genesis, with Peter Gabriel. You know, “The Lamb Lies Down On Broadway“, genesis. I saw Queen, right after the release of Sheer Heart Attack and remember nothing.

It was suggested that I write about the 1st concert I remember. I couldn’t tell you what that was. Another suggestion was t write about the last concert I attended. Not surprising, I can’t remember hat either. Had I known this would happen, I would have attended concerts in alphabetical order, beginning with AC/DC and ending with ZZ Top. The only certainty in my concert going days, is that I never saw The Beatles. Now, that I surely would have remembered.

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THE SONG REMAINS THE SAME…

Posted in Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 24, 2013 by TheManicBlogger

I had spent the better part of a day with a friend, who is certain that Led Zeppelin sits at the right hand of God, discussing music. As his attempts to throw me off my Beatle wagon fell on deaf ears, he resorted to idiocy and asshat-ery. His premise became threaded with examples of Beatle thievery; stealing songs from others and claiming them as their own.  I decided to do some checking into the prevalence of plagiarism in popular music. The findings may surprise you.

george1john1Yes indeed,  George Harrison was found guilty of plagarism.  “My Sweet Lord” was ruled a case of subconscious theft of The ChiffonsHe’s So Fine“.  It cost him a little of $500,000,00 and 75% of the song;s North American sales.  John Lennon‘s “Come Together” was ruled to have plagarized Chuck Berry‘s “You Can’t Catch Me“. Lennon agreed to record 3 more of the writer’s songs as a settlement. Well, John only recorded 2 and the writer sued him. Lennon was ordered to pay $7000.00.

The Doors have been accused of lifting “Hello, I Love You” from The KinksAll Day And All Of The Night“. Staunchly denied by Doors guitarist, Robby Krieger who said that The Doors did lift the drum beat of the song from Cream‘s   Sunshine Of Your Love“.  Johnny Cash‘s “Folsom Prison Blues” is an almost carbon copy of Gordon Jenkins‘ “Crescent City Blues“, which was penned 2 years before Cash wrote his bbsong.  Johnny Cash paid Jenkins about $75,000.00. The Beach Boys‘ “Surfin’ USA” can actually be sung to the Chuck Berry tune “Sweet Little Sixteen“. Brian Wilson admitted to ripping off the melody and Chuck Berry was given co-authorship of the song and a portion of the royalties.

The Rubinoos

The Rubinoos

Other notable mentions include Ray Parker Jr;, writing “Ghostbusters” after stealing the melody from Huey Lewis‘  “I Want A New Drug“; The Oasis song “Whatever” was lifted from Neil Innes‘ “How Sweet To Be An Idiot“; The Rubinoos song   “I Wanna Be Your Boyfriend” was reworked into Avril Lavigne‘s hit “Girlfriend“. And The Rolling Stones‘ “Anybody Seen My Baby?”, lifted from k.d. lang & Ben Mink‘s “Constant Craving” was resolved by giving lang & Mink writing credit. Interesting, but not what I was looking for.

zep

Spirit

Spirit

I had already known that Led Zepplin had ripped off Spirit‘s 1968 song “Taurus” and used it in “Stairway To Heaven” and that Spirit had toured with Led Zepplin in  1969. But there had to be more. And then I found it. An extensive list of Zep-pilfering. “Black Mountain Side“, appearing on the 1st Led Zeppelin album is a traditional English folk song that appears on Bert Jansch‘s 1966 album, Jack Orion as “Blackwaterside“, yet it is credited on the Zeppelin album as a Jimmy Page composition. Pretty slick!!  The same Zepnique was used again on “Babe I’m Gonna Leave You“, written in the 1950s by Anne Bredon (covered by Joan Baez in the 1960s) and credited by Zeppelin as “trad.,arr. Page”. In the 1990s it was changed to give Bredon credit for writing the song. The Led Zeppelin III song, ” Since I’ve Been Loving You” features lyrics taken from the  Moby Grape song “Never“. Is it coincidental that Moby Grape was one of Plant’s favorite bands? HA!

Bobby Parker

Bobby Parker

The guitar riff in “Moby Dick” is a nearly note for note rip-off of Bobby Parker‘s 1961 single, “Watch Your Step“. Jimmy Page was a Parker fan and at one time tried to sign him to Swan Song Records. “In My Time Of Dying“, a traditional blues song that has been recorded by many musicians since the early 1960s, was credited as being written by “Page, Plant, John Paul Jones, John Bonham”.  Great Zepnique. Again. Off of Zeppelin II, “The Lemon Song” borrows heavily from the Howlin’ Wolf song, “Killing Floor“. Credits again attribute the song to Page, Plant, Jones and Bonham. Another Zeppelin II song, “Bring It On Home” was written by Willie Dixon. However Willie Dixon was not given writing credit and Led Zeppelin was sued for copyright infringement. The case was settled out of court.

Jake Holmes

Jake Holmes

Whole Lotta Love“, again from Zeppelin II and the band’s 1st hit single, is not an original composition as the album credits originally claimed. The lyrics were taken from Willie Dixon’s “You Need Love” and this was settled out of court. Released on Zeppelin’s 1st album, “Dazed And Confused” was originally credited as being written by Jimmy Page. However, this is not the case. It was originally written by folk singer Jake Holmes who opened for The Yardbirds while Page was a member. Page arranged a version of it for The Yardbirds but he didn’t record a studio version until 1969 with Led Zeppelin. HA!

So there it is. There are many other cases of plagiarism in music, far too many to mention. This is not intended to slam Led Zeppelin but rather to ask my pal, Mr. K. is Led Zeppelin really a farce as implied on Howard Stern  or just the greatest cover band in music history? In any event, there you have it, my friend. Thievery, pilfering, song snatching, whatever you wish to call it, seems to run rampant on the Zeppelin. Should we start to question if the Zeppelin is actually theirs?

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